Word: metaphorical
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Dates: during 1960-1969
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...plaster cast. We keep him there until the wound heals," said Premier George Papadopoulos, the colonel who is strongman of the current Greek military regime. He was only trying to explain why civil and political liberties in Greece remain suspended under martial law. But it was the sort of metaphor that appealed quite naturally to Assemblagist Vlassis Canairis, 40, who studied medicine at Athens University before turning to the practice of painting and sculpture in 1950. The exhibition that he has mounted in Athens' small "New Gallery" illustrates its vividness, though not in the way that Papadopoulos intended...
...public sonnets vary in mood and tone. Some are simple, even simpleminded, like one devoted to Senator Eugene McCarthy ("I love you so". . .). Some labor through metaphorical complexities. Stalin, for instance, begins botanically, switches to a feline metaphor ("What shot him clawing up the trunk of power?") and finally reaches a fine physiological line, "his intimates dying like the spider-bridegroom?/ The large stomach could only chew success...
...verbal talent to bring off such an enterprise is nowhere to be found in Three Thirty Three. The editors have consistently let slip past their red pencils verbosity ("the University has long been cognizant of the fact that the issues involved transcend the sphere of economics"), turgid metaphor ("Girls dot the large lecture halls like raisins in raisin bread"), and embarrassing gaffes in tone (Kenny McBain's "I have never lost a certain fondness...
...seek out and applaud Dr. Nabokov, the butterfly chaser, dealer in anagrammatical gimcracks, triple-tongued punster, animator of Doppelgänger, shuffler of similes. Prolonged exposure to Nabokov reveals much more. What he calls his "ever-ever" land of artifice opens on intriguing distances. There words transform the world into metaphor and time is held exquisitely at bay by memory...
Vigo's focus on mental experience is even clearer in a subsequent sequence where the captain, swimming underwater, sees his wife's face. The shifting appearance of his objective surroundings blends with the illusion superimposed on him: his wife is present in both metaphor and fact. The film's last shot does the same through another semi-metaphor for personal experience. The couple reunited, the barge casts off, and Vigo cuts to a very high shot of the barge (from an airplane) which sweeps over it as it sails down river. The shot is a metaphor for their continuing progress...