Word: metaphorization
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Dates: during 1990-1999
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...Simpson's infamous life-style serves as an apt metaphor for the overindulgent '80s and '90s, Biskind's book delivers what's known in screenwriting jargon as the backstory--the preamble sparked when Bonnie and Clyde and Easy Rider caught fire. Those avant-garde youth movies emboldened a whole new pack of hip filmmakers to make their own iconoclastic films during the '70s: M*A*S*H, Taxi Driver, Five Easy Pieces and Paper Moon, among others. Biskind's history lesson also has its fair share of tantalizing dope and sex lore--at times the horrible stories from former spouses...
...Rivera which wraps around behind the bar and open kitchen. In it, merry people amuse themselves beneath strands of Spanish moss, dangling over the fancy wrought-iron balconies and balustrades of Southern gothic buildings. All drink and laugh profusely, and all are glaringly white. The image is a perfect metaphor for the cuisine. Magnolias strives to emulate New Orleans, but a piece of its heart will always be in New Canaan...
Santa gave Drew Golden a shotgun when he was six. The home video of Drew as a tot, rushing to the backyard shooting range, has been played again and again, serving as metaphor and explanation, the macho little-boy equivalent of the dolled-up kindergarten beauty queen. Frontiersboy Drew learned to bait hooks and scope out prey with his father and grandfather, developing a taste for the chili cooked up after a successful deer hunt. He had a keen eye, improving his marksmanship at a shooting range and his reflexes at the video consoles of Wal-Mart and the local...
Though Walker reaffirms this concept with a plethora of feeding imagery, the exhibit does not fall simply into a framework of symbolism. The figurativeness of Walker's work exists in the divide between conscious and unconscious more so than the divide between real and metaphor. Walker's images allude to Freud's analysis of dreams. The series of fantastical silhouettes--a tree split in half, a two-headed woman, oddly-shaped flowers, a man with talons--create a visual world that vacillates between dream and nightmare. The dream that Walker unfolds here is not just any dream, but the dream...
Coupland has mastered the art of the precisely timed witticism, the understatement and the random comic comparison. His language dances around its subjects, as when Richard discovers that the end of the world has come and "an adrenaline fang bites the rear of his neck." Coupland extends his metaphor of human infringement on nature with the words he uses to describe the post-apocalyptic world: "The darkening sky is becoming a warm, dead Xerox and the winds blow forcefully as though aimed from a hair blower," and "Below them, the fire on the sloping neighborhoods burns like a million...