Word: metaphorization
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Those--to use a Gibsonian film metaphor--Stations of the Cross will be familiar to anyone who has ever sold a literary property to Hollywood. The stories are legion, and they've happened to writers way more eminent than me. The Wall Street Journal also reported that the late western novelist Louis L'Amour wrote more than 100 books and that nearly 50 of them--50!--were sold to the movies. One novel that got the treatment was published under the title The Broken Gun. By the time it came out as a movie, it was called Cancel My Reservation...
...deportment, and even the dog no longer takes him seriously. His wife, fed up with his aloof dignity, has a one-night fling with an American soldier. Determined to regain her affection, Shunsuke goes heavily into debt to build a modern, American-style house. That pile becomes a metaphor for the marriage and much else. The roof leaks. Plants die on the sunbaked veranda. And when the Japanese-made air-conditioning system breaks down, Shunsuke learns he could have had a superior American version for a fraction of the price. "What we've learned from the West is often...
...humor and subtlety. In one of the opening scenes, V draws attention to the “paradox of asking a masked man who he is.” The repeated use of the jazz standard, “Cry Me a River,” represented an understated metaphor for political subversion that resonated throughout the film as V struggles towards his goal of liberating the English public...
...witchhunt involves attacking the powerless, a witchhunt involves a belief in the occult, a witchhunt involves magistrates who also share the belief of the people in the occult. It’s a metaphor that’s employed all too often and a very sloppy one. Surely gossip and rumor played a huge role, but it’s not as though people began deluding themselves in 1692. The people who die, the people who are sacrificed, are often powerless, often old, widowed women. Those are the people who end up being sacrificed to the fanaticism and frenzy...
...this University, Summers tried to address his critics’ concerns. The second motion of no confidence was a set-up that showed that nothing would do. It’s plain his enemies were out for blood. And at this point, let’s lose the goose metaphor. This was an academic 9/11, this was an act of spiritual assassination, an assault on free speech, intellectual inquiry, and ideology-free academic standards aimed at the heart of American scholarship. We are Manhattan now; and we cannot rest from this mental fight. If we shirk it, then William...