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Word: metaphorizes (lookup in dictionary) (lookup stats)
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...undertaking could not but be hazardous: beyond the tact that Agee's novel was not quite finished and not quite a novel, what made it memorable was the highly personal charge of the writing- fine special sharpness of detail and as uncanny a gift of memory as of metaphor. And what the book had. in the absence of all unity of form, was marked unity of feeling. Considering how much A Death lacked that the theater finds important and how much of importance it had that the theater cannot convey. Mosel's adaptation-greatly helped by Arthur Penn...

Author: /time Magazine | Title: The Theater: New Play on Broadway, Dec. 12, 1960 | 12/12/1960 | See Source »

...conflict between Illusion and Reality most consistently referred to. Bergman seems especially fond of dropping hints that the real danger lies deeper than surface appearance. He emphasizes the unreal disguises of the magician and his wife as one of the reflections of this metaphysical concept--a crude and uninventive metaphor, I find. These admirable, is unoriginal, sentiments appear in a morass of conflicting counter-theories. Accident and the completely gratuitous introduction of the bizarre for mere effect add to the confusion--though they contribute immeasurably to the melodramatic effectiveness of the film. The theme is never handled...

Author: By Ian Strasfogel, | Title: The Magician | 12/12/1960 | See Source »

...first art Hulme created when he returned to London in 1908, at the age of 25, was imagist poetry. Hulme preached the primacy of the image, since he believed that man's only sure grasp of reality was through analogy and metaphor. Though his disciple Ezra Pound gave the school its name and became its chief panjandrum, it was Hulme who wrote the first imagist verse, including what T. S. Eliot has called "two or three of the most beautiful short poems in the language." Sample...

Author: /time Magazine | Title: Books: Neo-Orthodox Gadfly | 11/21/1960 | See Source »

...Entertainer. Some of the force of Playwright John Osborne's caustic metaphor, England as a seedy music hall in which no-talent frauds held the stage, may be lacking in the film version of his drama, but Sir Laurence Olivier's interpretation of a soggy song-and-dance man is a masterpiece of mannerism...

Author: /time Magazine | Title: Time Listings: CINEMA | 11/14/1960 | See Source »

Sharp-tongued, curmudgeon-like though I am, I never said that some 20,000 fine voters in the 29th N.Y. Congressional District "every four years crawl out of their Hudson Gothic woodwork to vote for William McKinley." The crawling-out-of-woodwork metaphor was an added touch by the New York Times writer; he had an unusually fine prose style, given to flourishes which, as he might put it, bode well for a career in journalism. I did remark, sadly, how certain voters up here seem to pledge fealty every four years to William McKinley, but just...

Author: /time Magazine | Title: Letters, Oct. 24, 1960 | 10/24/1960 | See Source »

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