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Word: metaphors (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Roethke is a nature poet as well as a metaphysician, and the best of his poems celebrate the spiritual experience in a natural metaphor, as a sort of vegetation mystery. Cuttings is characteristic: This urge, wrestle, resurrection of dry sticks, Cut stems struggling to put down feet, What saint strained so much, Rose on such lopped limbs to a new life? I can hear, underground, that sucking and sobbing, In my veins, in my bones I feel it,- The small waters seeping upward, The tight grains parting at last...

Author: /time Magazine | Title: Books: Poetry in English: 1945-62 | 3/9/1962 | See Source »

...with eyes is an old idea, yet it can be made appealing merely by casting it in new words, Borges noted. He cited as an example the wish of a lover to be the night, so that he could "watch over his mistress as she slept"--with the basic metaphor only implied by the words...

Author: NO WRITER ATTRIBUTED | Title: Borges Emphasizes 'Dream of Writers' | 2/9/1962 | See Source »

Ionesco builds to a simple, visual metaphor. Sometimes he becomes too involved in his blueprint and loses sight of the overall structure (as in The New Tenant). The same is true of Rhinoceros, but the brilliance of the plan itself is staggering. In The Chairs, finally, production outline, technique, and final product are equally brilliant...

Author: By Frederick H. Gardner, | Title: The Chairs and The Maids | 12/13/1961 | See Source »

Unfortunately, Mr. Hobson has chosen to rest his case on a metaphor suggested by Professor Charles Osgood of the University of Illinois. Osgood describes the actions of two men standing on either side of a see-saw. When one takes a step backward, the other is obliged to do likewise to preserve the equilibrium of the system. As the two men continue to move backward to the ends of the see-saw, the board on which they are standing strains to the cracking point, and the balance becomes more precarious...

Author: By Josiah LEE Auspitz, | Title: Comment | 11/30/1961 | See Source »

Playwright Wesker's dialectic is flimsy and his metaphor is strained, but his theater is terrific. Transferring such theater to the screen is about as tetchy an operation as carrying nitroglycerin in a sieve, but Director James Hill, in his first full-length film, has done the job with a sure hand. He shuts the spectator up in that hellhole of a kitchen until he feels like a cabbagehead after 74 minutes in a pressure cooker. If Leftist Wesker expects moviegoers, at the end of the film, to rise and shake off their chains, he is going...

Author: /time Magazine | Title: Cinema: Pressure Cooker | 11/3/1961 | See Source »

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