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Word: metaphors (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Russell's Tommy is the ultimate trip, the ultimate TV show. Its central metaphor is a deaf, dumb and blind person playing pinball--total sensory overload. Add some drugs (the audience), loud music in five-track Quintaphonic sound, and a camera that socks back and forth like an All rabbit punch, and you have an experiences so full that it cancels itself out. You buck and heave uncontrollably for two hours and waddle out of the theater, hoping that you'll smash the car into a wall on the way home or something because maybe that...

Author: By Richard Turner, | Title: Sure Playing a Mean Pinball | 4/7/1975 | See Source »

Avowedly not a scholar, Fisher teaches a public policy course at the Kennedy School instructing tyros how to work their ways through a bureaucracy. It is part of Fisher's general attempt to bring more intelligent people into government. From his metaphor, which borrows extensively from bureaucratic argot, to his willingness to compromise on ideals, Fisher is somewhat anomalous in the academic community, but he is well respected. In a self-portrait published in the Twenty-Fifth Anniversary Report of the Class of 1947, Fisher compared his position in public service to that of the forsaken man in the sinking...

Author: By Philip Weiss, | Title: Frank Fisher | 3/17/1975 | See Source »

...From his metaphor, which borrows extensively from bureaucratic argot, to his willingness to compromise on ideals, Fisher is somewhat anomalous in the academic community...

Author: By Philip Weiss, | Title: Frank Fisher | 3/17/1975 | See Source »

...numerous, ne'er-do-well family. One day she collapses in the heat and clamor of the factory, where she works at the hardest but best-paying job. The doctor at the clinic to which she reluctantly reports diagnoses her fever as something more than a metaphor; it is a symptom of tuberculosis. Over the objections of husband and in-laws, she goes to the state-supported sanatorium in the mountains for a rest cure...

Author: /time Magazine | Title: Cinema: A Quiet Ending | 3/10/1975 | See Source »

...Sardonic Metaphor. That is just the trouble. As played, deftly, by Beatty, George is an affable con man who goes no deeper than his own hypocrisy. The reason, presumably, for setting the movie in 1968 is to groom George, the last shabby survivor of the age of grooviness, into a sardonic metaphor. There are many references to the Nixon election, and at times the movie appears to be attempting a delineation of the moral neutrality that could produce a Nixon and a Watergate...

Author: /time Magazine | Title: Cinema: Blow Dry | 2/24/1975 | See Source »

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