Word: metaphors
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Dates: during 1970-1979
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...movies about rock 'n' roll: concert films like Woodstock, lightweight dramatic vehicles tailored-to-measure for pop stars, documentaries offering cinema-verité glimpses of Bob Dylan or the Rolling Stones. There have even been a couple of films that used the world of rock as a metaphor for power and ruin: for in stance, Brian De Palma's Phantom of the Paradise (TIME...
...obvious comparison is Bleak House, which so sharply used law courts as a metaphor for 19th century England. But Snow is closer to Trollope (whose biography he is now writing) than to Dickens. For he is finally interested in showing how the system works, rather than in asking why or making a fuss about it. His wariness makes for low-level emotions. What Critic V.S. Pritchett said of Trollope could be said of Snow: "Reading him is like walking down endless corridors of carpet...
...despite the summit, had left themselves an encouraging amount of room for continued negotiations. Any progress toward peace, however, was likely to be slower and more cautious. "We're past the home run hitting stage in the Middle East," one member of Kissinger's party explained. The metaphor might have been lost on Israeli listeners, but the emphasis on "quiet diplomacy" was clear...
Koch found an interesting approach to the metaphor poems. He taught several different grades ranging from first through sixth. At first he inspired the kids by reading an adult poem--including D.H. Lawrence, Theodore Roethke, John Ashberry, and Dyland Thomas--but as his collection of kids' poems increased he would read in one class poems written in another. He noticed that P.S.61 was establishing its own literary tradition--an institutional salon of sorts. Thus a misspelled word triggered Koch's introduction to a metaphor. A child wrote "A swam of bees," instead of a "swarm." A first grader's poem...
Harvey displays throughout a moist passion for metaphor. Because a great deal of Christina's past is shown in flashback, Harvey wets down the royal palace and environs with what we must assume to be the mists of memory. Much of the movie consequently looks fogbound, as if it were photographed during a close night on the Grand Bank. Harvey requires Ullmann to run through fields to demonstrate exuberance, slouch in doorways to show anxiety and uncertainty, and practically pant after a handsome young courtier whose love she fears. "I want to be loved!" Christina complains to a wily...