Word: metaphors
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Dates: during 1970-1979
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RAFELSON'S MONOPOLY METAPHOR is too slick a formula. He has poached inconsistently on the terrain Arthur Miller familiarized: Shopworn sales talk has become the idiom of a society based on manipulation, commercial go-getting has been universalized as a private ethic, preservation of personal integrity means self-destruction. These are his cool assumption, the truisms of one who has seen-it-all. Sentimentially is a demon to him, so he lavishes heavy filmic methods in an effort to play it tough, and it is wholly at the expense of his material. He has twisted the form of his film...
...13th century Persian poet Jalal al-din Rumi, the reed was a metaphor for man. Rumi was a follower of the ancient principles of Sufism, a mystical movement that is to Islam roughly what Hasidism is to Judaism. He believed that the soul and God are one and the same. The world, he taught the faithful, is but a tomb, temporarily separating the soul from its divine milieu. In order to release the imprisoned spirit, he taught the Sufi dervishes (Persian for beggars) to dance themselves into an ecstatic trance; all their movements were made in rhythm with the music...
...seems only fitting that Samaras, whose every work alludes in some way or another to his body-by photography and metaphor, by testing it with textures and pains and memory-should have made a narcissist's mausoleum in the form of his Mirror Room: a twelve-foot cube lined with reflecting surfaces, an endless labyrinth in three dimensions. One imagines the artist at home in it, lying perfectly at ease on the crystal floor, his image multiplied to a gratifying infinity...
...summoned up the poetic suggestiveness and exquisite line that characterized his first big success, The Moor's Pavane, which is still a favorite with the American Ballet Theater. Less striking but still provocative were Dances for Isadora, which drew on the Duncan story to fashion a subtle metaphor of death-in-life and life-in-death, and Carlata, a mad court fantasy (danced to silence) about the widow of the Emperor Maximilian of Mexico. Where is the permanent theater home that Limon deserves...
...absurd as they are unexplained--the hosts making love while their guests wait, a funeral, a French military battalion, imprisonment for drug trafficking, and, on occasion, murder. All these scenes of action an inaction, which are not marked as dream or actuality, are strung together by the metaphor of all six bourgeois marching determinedly along a country road in the middle of nowhere...