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...this end, Gabriele is working closely with an experienced and collaborative crew, many of them veterans of main stage productions, to create a stage environment that staff members variously term “meta-worldly,” “post-apocalyptic,” “deteriorating,” “impressionistic,” “grandiose...

Author: By Emma Firestone, CONTRIBUTING WRITER | Title: Technically-Driven 'Titus' Takes Mainstage | 4/5/2002 | See Source »

...Here is my version of Glamour’s dos and don’ts list, but it’s not about the people in my neighborhood. It’s about this issue (any issue) of my little gem of a fashion publication (how meta...

Author: By Antoinette C. Nwandu, CRIMSON STAFF WRITER | Title: Dos and Don'ts | 3/18/2002 | See Source »

...canon as food, a mere commodity. “Portrait (W. Pooh),” for instance—a bust of a chocolate bear—is absurd and self-effacing. Art, then, for Ryoo is its own subject—her photographs are a kind of meta-art. They suggest that artistic creation is subject to the same commodification as the boxes of Tide and cereal in Wing’s photographs...

Author: By D. ROBERT Okada, CONTRIBUTING WRITER | Title: MetaArt: Constructing Self-Criticism | 2/15/2002 | See Source »

Fuss sucessfully infuses a kind of meta-realism into his work, using the actual process as a means of bringing the outside world into abstraction. His photograms—prints created sans negative, by placing objects directly on photosensitive material—resemble a cross between the line and drips of Pollock and the intertwining strands of a DNA molecule. In his photogram from the series “Details of Love” (1992), childlike and uneven multi-colored (but predominantly black) squiggles dance around the browned surface, pulling and leaping and creating a tangled web. The lines...

Author: By J. hale Russell, CONTRIBUTING WRITER | Title: Some Options In Abstraction | 10/26/2001 | See Source »

...statue, Young Diana, depicting the goddess balanced delicately upon the backs of three large fish, her bow and arrow pointed towards Zeus. Hyatt’s attention to detail is remarkable, and the fish appear so real that they might jump back into the sea. Also moving is Meta Vaux Warrick Fuller’s Bust of a Woman, a partial cast of her Emancipation that now resides in Harriet Tubman Square. A photograph of the entire statue—showing young slaves newly released from the terror of a young bird’s claw, representing slavery?...

Author: By Nell A. Hanlon, CRIMSON STAFF WRITER | Title: Beyond Isabella: Women at the MFA | 9/20/2001 | See Source »

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