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WITH COVER STORIES in both Downbeat and Musician and a new album (NiceGuys) on ECM--the label that has successfully promoted the likes of Keith Jarrett and Pat Methaney--the AEC is riding a new crest of public interest and acceptance. But as Lester Bowie comments, there has always been a receptive audience for the group's work, and the size of that audience is of no great consequence. The music which so excites critics today is essentially unchanged since the days when the Art Ensemble played for groups of ten or fifteen devotees back in Chicago. Through years...

Author: By Paul Davison, | Title: 'Great Black Music' Comes of Age | 5/10/1979 | See Source »

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