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DESPITE problems, technique was good enough so that the music was presumably moving along as Buswell intended, and his approach was ill-suited to Bach. Rhythm in Bach grows from phrasing, not phrasing from meter; the over-all shape results from the growth of phrases rather than from dynamics or...

Author: By Lewis Keler, | Title: Bach Society Orchestra | 3/18/1968 | See Source »

Allman tends to write about emotional issues in immediate and concrete situations; William Mullen writes more abstractly, using specific description only to illustrate his direct statements. Mullen's metrical abilities and the absolute clarity of his narration enable him to write poetry about feelings which lie almost outside the capacities...

Author: By Patrick Odonnell, | Title: The Advocate | 5/24/1967 | See Source »

Charles Ives--Yale man, insurance salesman, transcendentalist, composer--surely one of the most unusual figures in the history of music. Danbury Conn. was his musical matrix. In the solid German academic tradition, he was steeped in Handel, Bach, and Beethoven, as well as in the Puritan and Victorian hymns, minstrel...

Author: By Robert G. Kopelson, AT PAINE HALL FRIDAY | Title: Music of Charles Ives | 3/27/1967 | See Source »

But something of what must be Yevtushenko's great quality in his native tongue comes through in at least one poem in the Marshall translation, his uncompleted "epic" composition, Brat-sky GES (Bratsk State Hydroelectric Power Station). There is special pleasure in these episodes where the original metrical scheme...

Author: /time Magazine | Title: Books: The Yes & No of a Public Muse | 12/2/1966 | See Source »

Influential Style. That hidden art was often overshadowed by Dos Passes' obtrusive style. He devised what he called The Camera Eye-poetically subjective inlays in the raw plain-deal prose, where the novelist had his metrical fling out of earshot of his characters. Another invention was the impressionist profile...

Author: /time Magazine | Title: Books: The Hidden Artist | 11/18/1966 | See Source »

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