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...Western nation with a powerful Communist Party. But never before had France taken such precautions for an official visitor. More than half the effectives of the Paris Prefecture, including 3,000 plainclothesmen, were assigned to protect him. Along his route, 2,000 firemen stood guard on rooftops, and the Metro stations below his route had been closed for an hour while engineers tested them for hidden bombs. A noisy barrage of 64 motorcycle cops boxed in his limousine. Even if there had been no guards around him at all, there would stiH have been a wall between Khrushchev...

Author: /time Magazine | Title: FRANCE: I Love Paris | 4/4/1960 | See Source »

Upon his resignation this summer, Bender will become Associate Director of the Committee of the Permanent Charity Fund, Committee officials announced yesterday. The Boston foundation last year distributed over $700,000 to "health, social welfare, educational, and cultural" agencies and institutions in the metro-politan area...

Author: By Craig K. Comstock, | Title: Dean Bender Resigns; Takes Foundation Job | 10/13/1959 | See Source »

...Metro-Goldwyn-Mayer signed a new film star: Light Heavyweight Champion Archie Moore, whose craft in the ring has kept him on top of the fight game for years, whose craft on a raft got him successfully through a screen test for the role of Jim, the runaway slave, in The Adventures of Huckleberry Finn...

Author: /time Magazine | Title: People, Sep. 28, 1959 | 9/28/1959 | See Source »

Died. Gilbert Adrian, 56, Metro-Goldwyn-Mayer's head dressmaker for a dozen years, husband of Hollywood's first Oscar-winning actress, Janet Gaynor (Seventh Heaven); of a stroke; in Hollywood. For more than a decade Adrian set the pace for women's fashions across the U.S. and even to Paris, made Jean Harlow, Katherine Hepburn and Norma Shearer look like haute couture models, put Greta Garbo in sequined slacks. Lynn Fontanne in a white organdy bow that started a national fad, released Joan Crawford from a movie prison in a little basic black dress that...

Author: /time Magazine | Title: Milestones, Sep. 21, 1959 | 9/21/1959 | See Source »

...only reason for the cutback in movies at all," says Metro-Goldwyn-Mayer's boss, Sol C. Siegel, "is that we will not make pictures for the sake of making pictures any more." TV has killed the routine movie for most people (who can watch all the routine movies they want to on TV), forced Hollywood to concentrate on blockbusters-the big-screen, big-star, big-color extravaganzas that often cost upwards of $3,000,000. The blockbusters have no trouble luring people away from TV, are the favorites of the drive-in theaters, which have grown from...

Author: /time Magazine | Title: ENTERTAINMENT: Script for Success | 4/27/1959 | See Source »

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