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...little man, now the indomitable sea dog, Captain Mitty, now the great surgeon, and overshoes, but even in the moment of defeat and annihilation "the inscrutable Walter Mitty"-- he may remain for us the symbol of our age, with his two-for-a-cent dream life manufactured by Metro-Goldwyn-Mayer and his real life a complex of frustration. There is space only to mention Irwin Shaw's three stories, Christopher Isherwood's extraordinary "I Am Waiting" and Mark Schorer's un-Jamesian "Portrait of Ladies...

Author: By M. C., | Title: BOOKSHELF | 12/18/1940 | See Source »

...Escape (Metro-Goldwyn-Mayer). Hollywood maintains a constant vigil these days for anti-fascist material with lots of bing-bang action. The appearance of pseudonymous Ethel Vance's novel Escape last year set off a scramble for its cinema rights which ended with an M. G. M. victory costing $50,000. It was worth...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 18, 1940 | 11/18/1940 | See Source »

...Love You Again (Metro-Goldwyn-Mayer) proceeds on the sound assumption that a conk on the head can gravely affect a man's deportment. Conkee is prim & proper Larry Wilson (William Powell), who thus gets over an eight-year-old case of amnesia, reverts to his former character of con man cum laude. He still pretends to be Larry Wilson for the sake of bilking his small-town cronies. His wife (Myrna Loy) walks through these comic revels as cool as a julep, never quite understanding the sudden transformation of the husband she was about to divorce. The reappearance...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 2, 1940 | 9/2/1940 | See Source »

Scheduled for a tour of U. S. museums, Producer Wanger's experiment in cultural publicity had by last week got so much attention for The Long Voyage Home that he counted his $50,000 well spent. Meanwhile another Hollywood studio, Metro-Goldwyn-Mayer, was nosing around picture galleries, wondering whether it shouldn't commission some paintings too. Said Producer Wanger, gravely posing for the press photographers: "It's all for the sake...

Author: /time Magazine | Title: Art: High-Brow Publicity | 8/26/1940 | See Source »

Boom Town (Metro-Goldwyn-Mayer) is the muddy hamlet of Burkburnett, Tex., and things start happening there when Big John MacMasters (Clark Gable) and his friend Square John Sand (Spencer Tracy) bring in a gusher with stolen equipment. Then Square John's girl (Claudette Colbert) comes West and Big John appropriates her. For 20 years Square John and Big John go on mooning over Claudette, bringing in gushers, getting rich and going broke like two big kids on a seesaw. When Big John begins to neglect Claudette for a saucy little baggage named Karen Vanmeer (Hedy Lamarr), Square John...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 26, 1940 | 8/26/1940 | See Source »

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