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Waterloo Bridge (Metro-Goldwyn-Mayer) is a drastic reworking of Robert Sherwood's doleful drama about a love episode in Blighty during World War I-keyed up to catch the overtones of World War II, and toned down to meet the objections of censors. Waterloo Bridge is no longer a tale of a shy Canadian soldier who falls in love with a shy London trull. It is the story of a good-looking, upper-class British officer (Robert Taylor) who, during an air raid, conceives an undying passion for a good-looking ballerina (Vivien Leigh). After causing...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 3, 1940 | 6/3/1940 | See Source »

...Waterloo Bridge has its points. Expensively produced, it successfully continues Metro-Goldwyn-Mayer's intensive he-manizing of Robert Taylor. Booted, trench-coated and sporting a dark, hairline mustache (the inspiration of Director Mervyn LeRoy), Cinemactor Taylor is a dashing officer. His continual kissing of Cinemactress Leigh may become a little tiresome to nonparticipants. But one kiss, after which the camera highlights and hangs suspended upon the languid Taylor lips, should go a long way toward rehabilitating Cinemactor Taylon with his fickle feminine fans and re-establishing him as a valuable studio property...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 3, 1940 | 6/3/1940 | See Source »

Strange Cargo (Metro-Goldwyn-Mayer) is The Passing of the Third Floor Back, laid in Devil's Island and environs instead of in a cheap London lodging-house. Tall, bland, humorous-eyed Ian Hunter is the Christlike central figure. The tangled lives he sets right are not those of petty, shabby, roominghouse misfits, but such splendid votaries of violence as Clark Gable (Convict Verne), Joan Crawford (a fille de joie wearing Miss Crawford's best Oh-God-the-pity-of-it facial), Paul...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 8, 1940 | 4/8/1940 | See Source »

...Mickey Rooney seem a brat to his studio, Metro-Goldwyn-Mayer, for whom in 1939, he grossed a box-office total of $30,000,000. They saw Mickey Rooney in bread & butter terms, and as such he was the biggest actor of the year in pictures...

Author: /time Magazine | Title: Cinema: Success Story | 3/18/1940 | See Source »

...Manhattan sympathy front will all push forward together with a grand Allied Ball at the Hotel Astor, organized by Mrs. Howard Dietz, wife of the publicity chief of Metro-Goldwyn-Mayer...

Author: /time Magazine | Title: SYMPATHY FRONT: Bundling | 3/11/1940 | See Source »

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