Word: metro
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Button-eyed Freddie Bartholomew, whose parents have sued him 16 times in four years for slices of his big Metro-Goldwyn-Mayer salary, sought to enjoin them from suits still pending, complained that they keep him in court so much that he does not have time to act properly...
Thunder Afloat (Metro-Goldwyn-Mayer) is a glorification of the "ash can fleet"-the homely little sub chasers whose depth bombs helped break the back of the German submarine campaign in 1918. Written by M.G.M. publicity man Ralph Wheelwright, who served on a sub chaser in World War I, with the collaboration of retired Navy Commander Harvey S. Haislip, produced with the approval and assistance of the Navy Department, which placed the remnant of the Navy's 500 World War chasers at the studio's disposal, Thunder Afloat is an able and reasonably authentic document. As entertainment...
...tenor of "The Women," currently showing at both Loew's theatres. It is often said that if the movies would only paint life as it actually is and not as Hollywood script writers think it is, the attendance at the many movie palaces would be far greater. Metro must have taken this frequent criticism to heart when it produced this most realistic of realistic pictures...
...Women (Metro-Goldwyn-Mayer) contains no less than 135 of them, of all ages, shapes, sizes and stages of neurotic disintegration, and the shadow of one man. The man is Stephen Haines. The most important women are his wife Mary (Norma Shearer), her cattish friend Sylvia Fowler (Rosalind Russell), who makes sure that Mary knows about Stephen's carrying on with a perfume salesgirl, and the girl, Crystal Allen (Joan Crawford). Mary's consequent trip to Reno introduces her to many another specimen of her sex, notably a fat U. S. countess (Mary Boland) with a crush...
Lady of the Tropics (Metro-Goldwyn-Mayer). "In the Orient," as M. Jacques Delaroch (Joseph Schildkraut) has occasion to tell young Bill Carey (Robert Taylor) early in this picture, "we are less concerned with changing things than with enjoying them." A half-caste who-has made himself one of the richest men in French Indo-China, M. Delaroch is content to enjoy the attentions of half-caste Manon de Vargnes (Hedy Lamarr), cares nothing about her ambition to escape to Paris and change herself into a Frenchwoman. When Bill takes a good look at Manon, jumps the yacht on which...