Word: metro
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Last week Joe Yule, who has done bits in Idiot's Delight and two other recent pictures, was signed to a three-year contract by Metro-Goldwyn-Mayer, Mickey's home lot. Salary: $100 a week, $25 more than he was earning at the Follies. Promptly assigned a bit as a stagehand in Fast and Furious with Franchot Tone and Ann Sothern, Joe Yule modestly remarked: "My ambition is to be as much of a success in the movies as I was on the stage...
...Metro put $3,000,000 into The Wizard of Oz, left out only the kitchen stove. Its tornado rivals Sam Goldwyn's The Hurricane. Its final sequence is as sentimental as Little Women. Its Singer Midgets, most publicized of all the picture's cast, go through their paces with the bored, sophisticated air of slightly evil children...
...neighborhood in 1933. After two years on the Paramount payroll, during which she failed to set any celluloid on fire, she was dropped, spent a year looking for a job. Warner Bros, put her under contract in 1936. Last year the Warners, envious with the rest of Hollywood of Metro-Goldwyn-Mayer's glamorous Hedy Lamarr, started circulating glamorous photographs of Ann Sheridan, her red hair dyed a shade lighter than life, her teeth in permanent caps, her nubile curves seductively displayed. Although her most ambitious job of work since then has been an unimpressive performance in an unimpressive...
...Metro-Goldwyn-Mayer) continues the adventures of the Hardys of Carvel, the old judge (Lewis Stone), his long-suffering wife (Fay Holden), moony Marian (Cecilia Parker) and bratty Andy (Mickey Rooney). The Hardys' wholesome, homey doings are designed to arouse in their millions of fans no emotion stronger than delighted recognition. Andy, more than ever the tail that wags the Hardy dog, reacts to spring by falling in love with his pretty new dramatics teacher (Helen Gilbert...
...Borrowed Time (Metro-Goldwyn-Mayer), borrowed from the 1938 Broadway hit, is a rose-colored peek at the bourn Hollywood visited in Death Takes a Holiday. As gently as a mortician, but allowing itself an occasional smile, it presents Death as a softspoken, courteous gentleman ("Mr. Brink") equipped with an impeccable British accent. Its story is what might happen if an old man, tenacious of life, could get this urbane Grim Reaper trapped up an apple tree...