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...turnover among Mr. Stout's eight associate editors. On New Year's Day, Graeme Lorimer, George Horace's elder son and the last Lorimer left in the Curtis Publishing Co., resigned to continue writing-with his wife -stories like After Dark, which he recently sold to Metro-Goldwyn-Mayer for $25,000. He and his brother retain a small holding of Curtis stock.* Ironically, with Graeme Lorimer's eyes turned toward Hollywood, a fugitive from the film colony. Merritt Hulburd, will fill his vacancy on the Post. Merritt Hulburd, Graeme Lorimer's classmate...

Author: /time Magazine | Title: The Press: Inheritors' Year | 1/10/1938 | See Source »

...Borrow or Steal (Metro-Goldwyn-Mayer). Frank Morgan, as a "steerer" of European tourists, poses as proprietor of a chateau in order to provide for his visiting daughter, Florence Rice. The dialog is wittier and the characters better rounded than usual in this type of program-filler...

Author: /time Magazine | Title: Cinema: Also Showing | 12/20/1937 | See Source »

...TIME is correct my sincere apologies for wrongly accusing, but will TIME explain the Goldwyn name appearing in Metro-Goldwyn-Mayer...

Author: /time Magazine | Title: Letters, Dec. 6, 1937 | 12/6/1937 | See Source »

Samuel Goldwyn according to his own office was never connected with Metro-Goldwyn-Mayer. The "Goldwyn" in M-G-M is his original Goldwyn Pictures Corp. which merged with Metro and Mayer in 1924, two years after Sam Goldwyn himself had left it. Alva Johnston's account does not directly contradict this fact...

Author: /time Magazine | Title: Letters, Dec. 6, 1937 | 12/6/1937 | See Source »

...ultra-Fascist Il Tevere had his paper on the streets two hours later, condemning Hollywood for threefold intrusion into Italian cinemaffairs: 1) invasion of the market with a product "unsurpassable because of a crushing superiority of means," 2) control of distribution, 3) a threat to enter the theatre field (Metro-Goldwyn-Mayer's plan for a circuit of its own in Italy). Italy permits Hollywood to take home $1,000,000 profit annually. Since this represents a return of one twentieth of one percent on a two billion dollar investment, Hollywood was concerned, but mildly...

Author: /time Magazine | Title: Cinema: Mussolini, Mamoulian | 11/29/1937 | See Source »

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