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...first of Author Wodehouse's books to receive adequate screen adaptation. That the cinema has never properly utilized his work is a misfortune which may soon be corrected. Five years ago, after his first professional visit to Hollywood, Author Wodehouse expressed remorse for having "cheated" his employers (Metro-Goldwyn-Mayer) by accepting $104,000 for a year's work which consisted of "touching up" two stories. Last week, accompanied by Mrs. Wodehouse, two Pekinese, and a new typewriter to replace the 25-year-old one on which he had written 25 novels and innumerable other works, Author Wodehouse...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 12, 1936 | 10/12/1936 | See Source »

...Longest Night (Metro-Goldwyn-Mayer) is the first production effort of shrewd, satchel-faced Sam Marx, erstwhile MGM story editor, super-supervised by Lucien Hubbard. Why such a product should call for twin entrepreneurs remains mysterious, since The Longest Night is designed rather for the Saturday morning diversion of schoolchildren than for the august judgment of the cognoscenti. It is a reasonably brisk embodiment of what neighborhood houses expect from a murder in a department store, including fun in the firearms department, wax dummies that come alive and slap policemen on the shoulder, pistol shots from a secret elevator...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 12, 1936 | 10/12/1936 | See Source »

...Hutch (Metro-Goldwyn-Mayer). Cinemaddicts who have felt that Wallace Beery's specialty of pawing at his chest, wrinkling his forehead, scuffing his toes and wiping his rubbery face with the palm of his hand, received too little footage in his previous pictures should be delighted by Old Hutch. It contains practically nothing else. Adapted by George Kelly from a Garret Smith story unearthed from the Saturday Evening Post files for February 1920, it shows what happens to a smalltown ne'er-do-well when he comes on a robber's cache of $100,000. Climax...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 5, 1936 | 10/5/1936 | See Source »

Sworn Enemy (Metro-Goldwyn-Mayer). A first-rate screen play by Wells Root and a first-rate performance by Joseph Calleia make this otherwise ordinary Gangster v. Government film agreeably nerve-racking. Calleia is Joe Emerald, neurotic head of a protection racket who, because his own legs are so weak he cannot walk without two canes, has set his heart on becoming proprietor of a heavyweight champion prizefighter. The Root screen play shows how a G-man (Robert Young), who has inherited a promising young plug-ugly from a brother the racketeer has killed, uses this obsession to bait...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 21, 1936 | 9/21/1936 | See Source »

Died. Irving Thalberg, 37, production chief of Metro-Goldwyn-Mayer; of pneumonia; in Santa Monica, Calif. After studying shorthand in a Brooklyn night school, he got a job as office boy to Universal's Carl Laemmle, for whom he filmed his first big show, The Hunchback of Notre Dame, in 1923. Soon stolen by MGM, he produced Ben Hur, The Merry Widow, The Big Parade, developed such stars as Lon Chaney, Robert Montgomery. Clark Gable, Greta Garbo, made M-G-M millions at the boxoffice. Addicted to nervous overwork, he arranged his most ambitious and recent film, Romeo & Juliet...

Author: /time Magazine | Title: Milestones, Sep. 21, 1936 | 9/21/1936 | See Source »

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