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...Painted Veil (Metro-Goldwyn-Mayer). When Dr. Walter Fane (Herbert Marshall) goes to the door of his wife's bedroom in Hongkong, he finds it locked. On the hall table lies a polo helmet. From these two facts he knows that his Katrin (Greta Garbo) is sinning with a cool young legation attaché (George Brent). At dinner that night, Dr. Fane presents Katrin with a choice: she will leave with him for Mei-tan-fu, where cholera is epidemic, or she will marry the attach...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 3, 1934 | 12/3/1934 | See Source »

Evelyn Prentice (Metro-Goldwyn-Mayer). In Manhattan the characters in this picture read Mr. Hearst's American, lunch at the Waldorf-Astoria, take tea at the Plaza, go to Barney's to get drunk. Pullmans carry them to Boston where they stop at the Copley Plaza. Peppered with such initial bits of information, cinemaddicts may be pardoned for wrongly concluding that in Evelyn Prentice they are witnessing a new cinema effort to combine advertising with amusement. Such touches are merely inserted to prove that John Prentice (William Powell) and his wife (Myrna Loy) are cinema patricians. Since cinema...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 19, 1934 | 11/19/1934 | See Source »

Last week William Fox, that bald and beady-eyed onetime magnifico of cinema, sprang at his adversaries in eleven directions at once. Alleging ''great and irreparable loss, damage and injury," he entered suit in Manhattan for injunction and accounting of profits against Metro-Goldwyn-Mayer Corp., M-G-M Distributing Corp., Columbia Pictures Corp., Consolidated Film Industries Inc., First Division Pictures Inc., Universal Pictures Corp., Monogram Picture Corp., Reliance Picture Corp., Talking Picture Epics Inc., Twentieth Century Pictures Inc., and Ameranglo Corp...

Author: /time Magazine | Title: Cinema: Loss, Damage, Injury | 10/29/1934 | See Source »

What Every Woman Knows (Metro-Goldwyn-Mayer) is that many a wife is responsible for her husband's success. The neat and genial comedy in which Sir James Barrie expressed this sentiment was first produced in the U. S. in 1908 with Maude Adams playing the lead, revived in 1926 for Helen Hayes. Helen Hayes has the same part in the cinema version- that of Maggie Wylie who marries a solemn young Scot against his will, helps him get elected to Parliament, manages his career for him so unobtrusively that he considers his accomplishments inspired by a glamorous outsider...

Author: /time Magazine | Title: Cinema: What Every Woman Knows | 10/29/1934 | See Source »

...Stroheim Merry Widow, like the original operetta, concerned a Prince Danilo. The real Prince Danilo of Montenegro sued Metro-Goldwyn-Mayer for libel, collected $4,000 in a Paris court. Well aware that 63-year-old Prince Danilo, living modestly near Nice, must have pricked up his ears when Metro-Goldwyn-Mayer paid Princess Youssoupov $250,000 & costs for libelously dipping into the history of Russia and Rasputin (TIME, March 12; Aug. 20), Metro-Goldwyn-Mayer took no chances with this new version of The Merry Widow. In addition to demoting the Prince to a Captain, they were careful...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 22, 1934 | 10/22/1934 | See Source »

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