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...Tailor Made Man (Metro-Goldwyn-Mayer). William Haines is one of those actors who have committed themselves to a specialty and are obliged to stick to it. The story, selected because it was in the Haines formula, is the old one about the pants presser who starts on his way to success by stealing a customer's dress suit and wearing it to a party. He is in love with his boss's daughter, Dorothy Jordan. When he has abruptly achieved eminence as manager of a department store, a job given him by a millionaire whom his social...

Author: /time Magazine | Title: Cinema: The New Pictures: May 4, 1931 | 5/4/1931 | See Source »

Strangers May Kiss (Metro-Goldwyn-Mayer). This is one of those handsomely staged, well-acted, rather silly productions which confound critics who try to reveal their silliness. The story is by Ursula Parrott, author of famed Ex-Wife; it will probably gross several million dollars. Norma Shearer is a working girl who says, "A girl may kiss and ride on as well as any man." Yet when Neil Hamilton, her journalist lover, companion of an illicit weekend in Mexico, says a casual goodbye to her, she is seen in one of those rapid sequences indicating a shattering of feminine morale...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 20, 1931 | 4/20/1931 | See Source »

...immature readers added to the mass of mildly educated people in the country, there is every prospect for the continued vigor of tabloids and semi-tabloids. Nevertheless the optimism of such an outstanding journalist as Mr. Lippman is cheering. Post-war feverishness has found expression largely in the metro-politan dailies, and a revival of sanity and restraint in the press would be a hopeful sign for American civilization. It will be interesting to observe the ratio between the Times and the Graphic in the subway cars...

Author: NO WRITER ATTRIBUTED | Title: TABLING THE TABLOIDS | 3/26/1931 | See Source »

...those who, while young, were dragged kicking and screaming past the Monkey House, and now spend their moments of adult leisure in front of Abercromble and Fitch show-cases, we recommend "Trader Horn", now showing at the Majestic Theater, as an effective tonic. The latest Metro-Goldwyn-Meyer "miracle picture", filmed in the heart of Darkest Africa at the risk of life and bank account, includes superb sound studies of savage men and beasts, who have entered into the spirit of the thing with a gusto which must at times have embarrassed the camera...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Playgoer | 3/6/1931 | See Source »

Inspiration (Metro-Goldwyn-Mayer). The decadent, artificial perfume which, springing from La Dame Aux Camelias, saturated with its nostalgia the boudoir literature of four decades, is revived strongly for Greta Garbo's third talking picture. She is a studio model, mistress of many men, who falls in love with a colorless young socialite. Robert Montgomery leaves her when he finds out about her bygone irregularities, but after a break he takes her back again. When his family decides that it is time for him to marry, Garbo goes away. The way this tale is told...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 16, 1931 | 2/16/1931 | See Source »

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