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Word: metrocolor (lookup in dictionary) (lookup stats)
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Light in the Piazza. Question: Should a wealthy American mother (Olivia de Havilland) permit her beautiful daughter (Yvette Mimieux) to marry a charming young Italian (George Hamilton) who does not realize that the daughter is mentally retarded? Answer: Florence in Metrocolor is worth seeing anyway...

Author: /time Magazine | Title: Cinema: Mar. 9, 1962 | 3/9/1962 | See Source »

Light in the Piazza. Question: Should a wealthy American mother (Olivia de Havilland) permit her beautiful daughter (Yvette Mimieux) to marry a charming young Italian (George Hamilton) who does not realize that the daughter is mentally retarded? Answer: Florence in Metrocolor is worth seeing anyway...

Author: /time Magazine | Title: Cinema: Mar. 2, 1962 | 3/2/1962 | See Source »

Light in the Piazza. Question: Should a wealthy American mother (Olivia de Havilland) permit her beautiful daughter (Yvette Mimieux) to marry a charming young Italian (George Hamilton) who does not realize that the daughter is mentally retarded? Answer: Florence in Metrocolor is worth seeing anyway...

Author: /time Magazine | Title: Cinema: Feb. 23, 1962 | 2/23/1962 | See Source »

...Minnelli plays his game of pseudo-sociological croquet with the careless good form of a man who does not have to worry about making his satiric points. He plays for the box-office score instead, working the sex angles and the big names and the "production values" -yum-yum Metrocolor, flossy furniture, slinky clothes-with the skill of a cold old pro. The comedy is kept on a fairly low commercial plane too. The funniest line concerns a retired pugilist. "Who is that man with no nose?" asks wife Bacall suspiciously. "Oh, he has a nose," says husband Peck defensively...

Author: /time Magazine | Title: Cl N EMA: The New Pictures | 4/1/1957 | See Source »

...Gogh's paintings were sought and photographed. The camera could not adequately show his thick daubs of paint, but it does capture his magnificent coloring, including the electric yellows with which he described a world he thought illuminated by the brilliant light of God and His sun. Cinemascope and Metrocolor are also superbly used to recreate the scenes of his paintings. They trace his life from the family home in Holland to Borinage coal district in Belgium, where he served as a minister, and finally to sun-swept Arles where, during one of his attacks, Van Gogh committed suicide...

Author: By Cyril Ressler, | Title: Lust for Life | 12/1/1956 | See Source »

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