Word: metropolitan
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Dates: during 1950-1959
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Waiting in the wings for his entrance cue during a Metropolitan Opera performance of The Marriage oj Figaro last week, Tenor Charles Kullman (Don Basilic) suddenly realized that he was missing something: his voice. His vocal cords evidently affected by a lingering cold, Kullman rushed to the dressing room and started desperately croaking at Tenor Gabor Carelli, who was not scheduled to go on (in the role of Don Curzio) until the third act. Carelli looked up amiably from his newspaper. "Quit your kidding, Charlie," he said. When Kullman finally got his message across. Carelli hastily switched costumes and rushed...
Czech Composer Leos Janacek was 40 when he started his masterpiece, the opera Jenufa. He was close to 50 when he finished the work and past 60 before he found an audience that could appreciate it. In its only U.S. production-during the 1924-25 Metropolitan Opera season, three years before Janacek's death-Jenufa (pronounced Yen-uffa) was roundly panned. In recent years, European opera houses have been looking at Jenufa with fresh admiration, and last week Chicago's Lyric Opera followed suit, gave the work its first U.S. performance in 35 years...
...been conservative. Of the pieces produced, only the Gay work could be called a novelty but its lukewarm popular reception intimates that such experimentation will be curtailed. This is unfortunate because smaller operatic groups ought to be daring where the large-scale expensive enterprises that the Metropolitan must attempt prove impossible. The second work this season will be Offenbach's well-tried operetta Voyage to the Moon, which was prepared by Miss Caldwell for the Boston Arts Festival in the summer of 1956. One can only hope that the spring offering, yet to be announced, will fulfill this group...
...since Hollywood Lyricist Howard Dietz wrote a new English libretto for La Boheme six years ago (Love, rhymed Dietz, "is a feast for a Roman/ It's warming my abdomen") had a Metropolitan Opera production created such a fuss. "Among the finest productions in Bing's regime," wrote Miles Kastendiek in the New York Journal-American. "Non-Mozartean shenanigans," snorted Howard Taubman in the Times, while the Herald Tribune's Paul Henry Lang denounced it as "a travesty." Occasion: a new production, staged by Broadway's Cyril Ritchard, of Mozart's comic masterpiece, The Marriage...
...glorious fame of Sardis continued into Christian times. Sardis was one of the few towns in Asia Minor to have a bishopric and was later the site of a metropolitan see that was mentioned until late in the Middle Ages...