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...dilettantes. For many, the job is just a sideline, sometimes a reluctant one. "I don't want to work," whines Cosby's character, who is trying to retire after winning the lottery. "I just want to stay here and sleep and play my clarinet." Van Dyke works in a metropolitan hospital, yet he seems to have unlimited time to run down clues in an effort to clear people falsely accused of murder -- people who, far too often, are old personal friends. (With friends like these...

Author: /time Magazine | Title: TELEVISION: Murder, They Wheezed | 2/28/1994 | See Source »

Music: Fed up, the Metropolitan Opera fires one of its biggest but most temperamental stars, soprano Kathleen Battle...

Author: /time Magazine | Title: Magazine Contents Page | 2/21/1994 | See Source »

Even by the famously hot-blooded standards of opera, last week's passionate dramma giocoso at the Metropolitan Opera in New York City was positively -- well, operatic. In the fiery lead role was the mercurial lyric soprano Kathleen Battle, renowned for leaving a trail of ill will in her wake wherever she goes. Opposing her were the forces of decorum and rectitude, represented by Met general manager Joseph Volpe. The denouement was catastrophe. Volpe, citing "unprofessional actions . . . profoundly detrimental to the artistic collaboration among all the cast members," summarily fired Battle from this week's production of Donizetti...

Author: /time Magazine | Title: Battle Fatigue | 2/21/1994 | See Source »

Kathleen Battle, the famously temperamental soprano, was summarily fired by New York's Metropolitan Opera. Reason: "unprofessional actions" during rehearsals for Donizetti's La Fille du Regiment. Battle said she was "saddened" by the decision...

Author: /time Magazine | Title: The Week February 6-12 | 2/21/1994 | See Source »

...general director of the Lyric, Krainik, 64, has presided over a string of seasons notable not only for their high musical quality, formidable star power and adventurous repertory, but also for their happy balance sheets and sold-out houses. "Rudolf Bing ((the late general manager of the Metropolitan Opera)) once said there's never an artistic decision without a financial repercussion," says Krainik. "The two go hand in hand. That's why I have to have total artistic control...

Author: /time Magazine | Title: Making Opera Pay, the Chicago Way | 2/7/1994 | See Source »

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