Word: mets
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...operagoers moved through the gala ritual of the Metropolitan's opening night last week, they were met with an unfamiliar sight. Television lights glared down on the huge Chagall murals and curving marble staircases. Cameras panned the red-carpeted lobby. On the Grand Tier balcony, presumably sophisticated first-nighters pressed around to gawk at Met Tour Director Francis Robinson's TelePrompTer as he beamed at interviewees. The occasion was a live broadcast to public television's 282 U.S. stations, as well as to Canada and Mexico. "It's like a political convention," complained one elegant buff...
...real show was inside, however, and what a show it was. Audience and TV viewers alike were treated to a full-scale display of all the elements that can make opera truly grand: a masterpiece of the repertory-Verdi's Otello-opulent staging, brilliant conducting by Met Music Director James Levine, and a cast of top singers giving a blazing performance...
...only should, but must. TV cameras are in the opera houses and concert halls to stay. More and more broad casts of live performances are scheduled, mostly for PBS. The Met, which experimented with them as early as 1948 and began them on a regular basis in 1977, will do three more this season for North America, plus one to be beamed directly to Europe. A joint Joan Sutherland-Marilyn Home recital next month will begin the Emmy award- winning Live from Lincoln Center series of six vocal, instrumental and dance programs. Coverage of perhaps another dozen special events...
...episode of Mork & Mindy is seen by 44 million viewers, whereas a top-rated ballet or opera reaches only 8 million or 9 million. But this is easily twice the usual audience for a PBS show, and it is astronomical by the standards of a house like the Met that seats fewer than 4,000 a performance Somewhere among all those viewers out there may be the new audiences that orchestras and operas need to flourish in the future. "In the long range," says the Met's executive director, Anthony Bliss, "television will become important to our survival...
...Sunday evening, April 26, the President met with his principal NSC advisers-Rogers, Laird, Wheeler, CIA Director Richard Helms and me-in his working office in the Executive Office Building. Nixon tried to avoid a confrontation with his Secretaries of State and Defense by pretending that we were merely listening to a briefing. To my astonishment, both Rogers and Laird fell in with the charade that it was all a planning exercise, and did not take a position. They avoided the question of why Nixon would call his senior advisers together on a Sunday night to hear a contingency briefing...