Word: metzger
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Dates: during 2000-2009
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...sexploitation began maturing, Meyer faced some serious competition. Radley Metzger's Audubon Films was importing relatively sophisticated French films with a soup?on of sexual decadence. Director Herschell Gordon Lewis and producer David F. Friedman had reaped a bonanza with the ghouly-gory-nudie-roughie "Blood Feast." (Friedman, who oddly gets no mention in "A clean BREAST!", was a mirror Meyer: an inspired huckster with a gift for literary bombast. His memoir "A Youth in Babylon: Confessions of a Trash-Film King" is a marvel of evocative high-comic writing. And stay tuned for the sequel!) So Meyer, deciding...
...these reasons, in the long-ago days of my soft-core connoisseurship, I preferred Metzger's films. As director, he made such money-making dramas as "Camille 2000," "Therese and Isabelle" and "The Lickerish Quartet." As a distributor, he imported and meticulously re-edited (sometimes re-shot) movies by soft-core masters Max Pecas ("Erotic Touch of Hot Skin"), Jos? B?naz?raf ("Sexus") and Mac Ahlberg ("I, a Woman...
...some ways, Meyer and Metzger had much in common. Both were meticulous artists and canny businessmen, adept at anticipating audience trends. Metzger saw that sex could sell if it spoke in a foreign accent; Meyer saw it could sell if it offered an unbuttoned version of steamy Hollywood melodrama. Working opposite sides of the sexploitation street, the two men elevated the genre from the grindhouse to the art house and the drive-in. Eventually, as noted, Meyer's films graduated from the agricultural school frat house to the Yale film society. Metzger's films, which were thoughtfully reviewed by Vincent...
...film style and personal temperament, the two men formed perfect bookends for '60s sex. Metzger was the European sophisticate to Meyer's canny version of the all-American yahoo rube. Metzger's films were caresses, Meyer's were comic assaults. Metzger's languid tracking shots of fabulously decadent femmes suggested a heated-up Max Ophuls; Meyer, with his brisk shearing of every shot to milliseconds, was the redneck Resnais. Metzger was the elegant gent on a leisurely prowl of the haut monde, as fascinated by the d?cor of a bedroom as by the woman on the silk sheets; Meyer...
With the threat partially averted, Crockett struck out Greg Metzger, one of Brown’s top hitters, to end the inning...