Word: mexicanization
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Dates: during 1960-1969
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...truck with sociological theories. Taking over a scandal-tainted force in 1950, Parker made it as honest as any in the nation, boosting standards, competence and morale, and giving the L.A. police a paramilitary esprit. He did not, however, understand the new problems caused by the postwar influx of Mexican-Americans and Negroes. For several years before his death in 1966, the once progressive department stagnated as the ailing chief's ideas congealed into dogma and he labored to surround the department, in Reddin's words, with a "blue curtain of secrecy...
...firm amiability. The police, says Karenga, are still a neocolonial force in the ghetto. "They are not protecting us. They are controlling us." Karenga complains that the only function of Reddin's community councils is to release Negro frustrations through talk, without bringing effective action. Arthur Garcia, a Mexican-American spokesman, claims that only yes men sit on his community's councils. Felix Gutierrez, another Latin leader, notes that the L.A.P.D. still refuses to lower the height requirements so that Mexican-Americans, who tend to be shorter than other Angelenos, can join the force. (By contrast, New York...
...still decorated with candy skulls and toy skeletons. These are afterward given to the children to play with or to eat. For a tableau of hell (opposite). Girard combined bread-and-sugar diablos from Ecuador, plaster devils from Bolivia, pottery Satans from Venezuela, and unpainted wood grotesques from the Mexican town of Erongarícuaro...
...Girard's collector's eye spotted one particularly vivid scene: a depiction of bearded Noah and Mrs. Noah presiding over an ark of candy-colored animals. Villagers labor for months to produce a panoramic Nativity scene for display during the Christmas season. Girard has assembled 200 Mexican figures which would originally have served as background in Nativity scenes, into one tableau. It portrays the busy market that thrives in any village on a fiesta day. To add a contemporary note, he even introduced camera-toting Yanquis into one Peruvian market-scene miniature...
Creative artists-not to mention many theologians-have long been intrigued by the thought that Jesus, if he returned to earth, might be scorned or rejected by modern Christianity. Implicitly, this is the theme of Nazarin, a Mexican film made ten years ago by Luis Buňuel;, a onetime cinema surrealist and lifelong enemy of church and state. The film is now shown in the U.S. for the first time, in the wake of his successful Belle de Jour...