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Word: mexicans (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...show of 18 handsome paintings in Mexico City's tiny Galeria Souza has been the talk of the town and a source of interested buzzing in art centers far above and beyond the border. Critics greeted the show with salvos of praise that made it the biggest Mexican art event since the 1949 retrospective of another painter, Diego Rivera. Paris' Museum of Modern Art Director Jean Cassou fired off an urgent telegram, then flew to Mexico City to see for himself. One Californian sent in his $4,000 check for one painting, a leader of Ft. Worth...

Author: /time Magazine | Title: Art: Numero Uno | 10/15/1956 | See Source »

Down with the Phalanx. For Tamayo, a proud Mexican and fullblood Zapotec Indian, such success is sweet balm for long years of struggle in Manhattan and of official ostracism in his own city. Outside Mexico Tamayo has in recent years won a hatful of international awards, including a $5,000 first prize at Sāo Paulo's 1953 biennial, a second in last year's Carnegie International (but not the Barcelona Biennial grand prize, which Tamayo turned down, later explaining: "I am not on good terms with Mr. Franco"). At home Tamayo, outspokenly antiCommunist, has been...

Author: /time Magazine | Title: Art: Numero Uno | 10/15/1956 | See Source »

...morning sun beat down as the trim platinum blonde swung purposefully down the front walk of a luxurious ranch home in California's Coachella Valley, and, amidst a nervous flurry of hired help, stepped into a waiting air-conditioned Oldsmobile. She wheeled the Olds out past Mexican gardeners grooming the ranch-house lawn, and on the open road quickly pushed up to 80 m.p.h. In five minutes she was at the aptly named Thermal airport, where a sleek Lockheed Lodestar sat warmed up and ready for flight. She fastened herself expertly into the pilot's seat; seconds later...

Author: /time Magazine | Title: CALIFORNIA: Jackie & the Judge | 10/8/1956 | See Source »

...contrast to later-day Mayan works, writes Mexican Painter-Archaeologist Miguel Covarrubías, Mezcala objects are "highly stylized and schematic, and their coarse, vigorous character makes them readily identifiable" (see cut). Probably sculpted between 200 B.C.-800 A.D., surviving examples of Mezcala workmanship are small (many only 2-in. to 7-in. tall) and were made from the same hard stone used for chisels. But primitive as are the small masks, figures and votive animals, they pass the test of good sculpture. Even magnified in size, they keep their proportion and acquire a monumental gravity...

Author: /time Magazine | Title: Art: NEW WORLD ANTIQUITIES | 10/1/1956 | See Source »

Tony Hillerman, news editor of the Santa Fe New Mexican, was rifling through a stack of press handouts from Los Alamos Scientific Laboratory last week in the hope of finding something worth putting in the paper. One routine announcement noted that William F. Carlson of Bristol, Conn. had been hired for the new "N" Division, which, said the release, "is concerned with research and development of nuclear rocket propulsion...

Author: /time Magazine | Title: Science: Nuclear Rocket? | 9/24/1956 | See Source »

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