Word: mexicans
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...most of these graduates, eclectic a key word. It certainly applies to the food served at Miss Ruby's Café, which opened late last year in Manhattan. Says Ruth Bronz, the Texas-born owner-chef: "I plan menu changes on a regular basis, switching from Cajun-Creole to New Mexican to Shaker. I'm missionary about it." Shaker food, along with the fare of the Pennsylvania Dutch and the American Indians, has already packed them in at special festivals in the formal American Harvest restaurant at Manhattan's Vista International Hotel. And surely eclectic the word for the menu...
...president of the Undergraduate Council, said he’s glad that Lithgow was chosen, despite some disgruntlement among seniors that Lithgow wasn’t as high-profile as some previous Commencement Day speakers. Kofi Annan, the Secretary-General of the United Nations, spoke last year, and former Mexican President Ernesto Zedillo addressed graduates...
That year, Summers served as Clinton’s point-man on a controversial effort to bail out the heavily indebted Mexican government. The Clinton administration bypassed the Republican-controlled Congress in the face of vehement GOP opposition to the bailout plan—a maneuver that didn’t endear Summers to Republicans on the Hill or their allies in the press corps...
...Mortensen's performance. Both films are among the most powerful and supple works of their esteemed directors. Yet the Jury gave only a thanks-for-coming Best Director prize to Haneke, and snubbed Cronenberg completely. The King isn't in their class, but it gets star heft from Mexican hottie Gael García Bernal. He plays a quietly intense young man named Elvis who insinuates himself into his long-absent father's devoutly Christian family: righteous wife (Laura Harring), rebellious son (Paul Dano) and a daughter (Pell James) searching for love, divine or carnal. The movie's fuse...
...that he could persuade the jurors to choose Broken Flowers. He might be looking for the kind of films he makes: big, bustling, manic movies about displaced persons. Two films fitting that description are Marco Tullio Giordano's illegal-immigrant drama Once You're Born and the nutsy-sexy Mexican Battle in Heaven. A third, as Cannes' official announcer Patrick Fabre told me at a swank party where we sat at the same table with Toni Morrison and Morgan Freeman (have I broken the record for name-dropping in a subordinate clause?), is the quasi-Kurdish war epic Kilometre Zero...