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...prominent writers discussed issues of Mexican-American identity and politics with members of the Harvard-Radcliffe RAZA Thursday in Winthrop House...

Author: By Susie Y. Huang, CONTRIBUTING WRITER | Title: Journalists Discuss Ethnic Identity with RAZA | 11/17/1998 | See Source »

Patrisia Gonzales, the first Latina syndicated columnist in the country, and Roberto Rodriguez, author of the books La RAZA and Codex Tamanchuan: On Becoming Human, shared a discovery they had recently made on the origin of Mexican-Americans...

Author: By Susie Y. Huang, CONTRIBUTING WRITER | Title: Journalists Discuss Ethnic Identity with RAZA | 11/17/1998 | See Source »

During the two-hour informal discussion, Gonzales and Rodriguez addressed practical issues about what Chicano-American students have to deal with on the East Coast, removed from much of the Mexican-American community...

Author: By Susie Y. Huang, CONTRIBUTING WRITER | Title: Journalists Discuss Ethnic Identity with RAZA | 11/17/1998 | See Source »

Reader Carli Schomerhorn, 12, from Great Falls, MT, writes, "I have a fear of embarrassing myself in public because my all-Mexican diet and natural body chemistry lend to an overproduction of gas." Here's a problem and solution set that can help deal with any potential public sheepishness...

Author: By Dan L. Gruenberg, | Title: under pressure | 11/12/1998 | See Source »

Other influences besides Benton converged on him as well: the Mexican muralists of the '30s, especially Siquieros and Orozco; Picasso; Surrealism; Kandinsky; tribal art. As Varnedoe points out in his admirable catalog essay, if the notion that Pollock was some sort of cowboy isn't true, neither was he any kind of Indian. He'd seen Native American ceremonies and pictographs as a kid in Arizona, but his attachment to Indian art as a source of "primitive" authenticity came from museums and exhibitions in New York and was confirmed by other mentors he was acquiring, such as the painter John...

Author: /time Magazine | Title: Art: Dappled Glories | 11/9/1998 | See Source »

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