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...conductor of the Los Angeles Philharmonic, where his quietly authoritative approach was a perfect complement to the flamboyant attack of fiery Zubin Mehta, the orchestra's resident conductor, Lewis this year was appointed music director of the Los Angeles Opera Company. Now 33, he lives with his wife, Mezzo Soprano Marilyn Home, in a fashionable home in North Hollywood complete with swimming pool. Says Wife Marilyn, who is white: "The question of race is not half as much a problem as these two egos of ours rolling around the same house...

Author: /time Magazine | Title: Conductors: Top Face | 12/31/1965 | See Source »

...widely acclaimed U.S. debut in Lucrezia Borgia, RCA Victor quickly signed her to make a recording of the opera. But not quickly enough. A black-market version of her debut was already selling briskly for $25. Artists, who naturally get no royalties from the piratings, are equally irritated. Mezzo-Soprano Regina Resnik, rummaging through a record bin a few years ago, was startled to hear a recording of Wagner's Ring cycle, whose label listed a cast of singers and an opera company she had never heard of. "You know who that is singing?," she cried at the proprietor...

Author: /time Magazine | Title: Concerts: Sound, Preserved & Pirated | 11/19/1965 | See Source »

Alban Berg's fine scores, expressively terse and textually dense, always pose the initial problem of hearing all that is essential. In the Violin Concerto, this dilemma assumes near-fatal proportions. The solo instrument is integrated into a large Wagnerian orchestra, which it must dominate with music marked mezzo-piano (or softer) seventy-five per cent of the time! Now Berg was no fool; the orchestra's dynamics are determined accordingly. But no orchestra can or will play continually softly, and the HRO proved no exception. The resulting acoustical imbalance seriously challenged the considerable prowess of violinist Charles Castleman...

Author: By Jeffrey B. Cobb, | Title: Harvard-Radcliffe Orchestra | 11/15/1965 | See Source »

...When Mezzo-Soprano Marilyn Horne made her New York debut in Bellini's Beatrice di Tenda four years ago, the critics were rapturous in their praise-for Joan Sutherland, the celebrated coloratura who also happened to be making her New York debut that night in the title role. Poor Marilyn was completely submerged in the flood of acclaim for Sutherland. The reviewer for the New York Times neglected to mention that she was even present, much less accounted...

Author: /time Magazine | Title: Opera: Out of the Shade | 2/19/1965 | See Source »

...sing at the Hollywood Bowl "just to make sure the people of America didn't forget about me." She can rest assured. At 31, thanks to her Semiramide performance and an excellent new London recording, Presenting Marilyn Horne, she now ranks as the finest, most versatile young mezzo singing today...

Author: /time Magazine | Title: Opera: Out of the Shade | 2/19/1965 | See Source »

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