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...Philadelphia last week, Mezzo-Soprano Blanche Thebom declaimed the bitter story of Medea to the subdued accompaniment of the Philadelphia Orchestra. It was the world premiere of a 20-minute musical monologue by Atonalist Ernst Krenek, based on Poet Robinson Jeffers' version of the old Greek masterpiece-and one more sample of the broad and busy range of roles that falls to the Metropolitan's Soprano Thebom (pronounced Thee-bom) these days...

Author: /time Magazine | Title: Music: Thoughtful Mezzo | 3/23/1953 | See Source »

...appearances than on the Met stage (36 concerts and recitals this season). Unlike most of them, she is always on the lookout for a distinctive score. Two years ago, she met Composer Krenek and suggested to him that Medea was an ideal subject for the dark tones of the mezzo-soprano voice...

Author: /time Magazine | Title: Music: Thoughtful Mezzo | 3/23/1953 | See Source »

Offenbach: Le Vie Parisienne (Jennie Tourel; Columbia Symphony Orchestra conducted by Jean Morel; Columbia). A saucy score culled from several operas, with Tourel's fine mezzo-soprano, gaily modernized scoring and fine acoustics...

Author: /time Magazine | Title: Music: New Records, Jan. 12, 1953 | 1/12/1953 | See Source »

...songs I thought Mr. Mandelbaum's settings of Psalms Nos. 139 and 140 for mezzo-soprano and cello showed the greatest freedom in the handling of a vocal line. He took excellent advantage of these highly dramatic texts and displayed an appropriate variety of moods while maintaining a stylistic unity with in the pair. Mr. Feder's settings showed a greater simplicity, more of a desire to render the texts than to interpret them. Yet his songs were to from colorless, I especially enjoyed the mock heroic piano recite after the Found liner. "And I would rather have my sweet...

Author: By Alex Gelley, | Title: Composers' Night | 12/19/1952 | See Source »

...Mind Music." Stravinsky used only five instruments-two flutes, an oboe, English horn and cello. A chorus of eight women and two soloists. Mezzo-Soprano Marni Nixon and Tenor Hughes Cuenod, were the only voices. Stravinsky conducted in his usual jerky, graceless style, looking, with his prominent eyes and waving tailcoat, rather like a dapper little Beatrix Potter frog...

Author: /time Magazine | Title: Music: Contrapuntal Bones | 11/24/1952 | See Source »

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