Word: mezzos
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...Sanders Theatre this evening at 8.15 o'clock. Professor W. R. Spalding '87 will lecture on French, English, and Italian composers, with the music of the seventeenth century. A musical program will be presented by the following artists: Miss Elizabeth Amsden, soprano; Miss Bernice Fisher, soprano; Miss Jeska Swartz, mezzo-soprano; Mme. Maria Claessens, contralto; Mr. Rafaelo Diaz, tenor; Mr. Edward Lankow, basso; Mr. Gaston Barreau, baritone...
...important and interesting exhibition of prints and engravings of famous physicians and surgeons has just been opened at the museum of the Medical School. Three distinct collections are represented, engravings, mezzo-tints, and other examples of reproductive work from the private collections of Dr. Walter G. Chase '82 and Dr. Ernest D. Young; also a large group of works contributed by the Royal College of Surgeons of England...
...tonight will consist of the chief musical scenes of the opera. Professor Paine himself will play the orchestral scene opening the second act, and the principal parts throughout will be taken by the following soloists: Miss Grace L. Bradbury, soprano; Miss Rebecca W. Cutter, soprano; Mrs. Vincent A. Lyman, mezzo soprano; Mrs. Albert Thorndike, contralto; Mr. Ernest R. Leeman, tenor; Mr. David A. Tobey, baritone; Mr. Ralph E. Brown, bass; and Mr. George A. Tyler, bass...
...number of other composers. The orchestra will be under the direction of Mr. Gustave Strube, whose "Hymn to Eros" will be rendered for the first time. The soloists will be as follows: Organist, Alois Bartschmid of Boston; pianist, Richard Burmeister of New York; tenor, Karl Doering of Boston: mezzo-soprano, Mme. Isabelle Bouton of New York...
...went to the Scandinavian concert last night in Sanders Theatre enjoyed an evening of typical Norwegian music given in a thoroughly delightful manner. The orchestral music was played by members of the Boston Symphony Orchestra. The feature of the evening, however, was the singing of Miss Aagot Lunde, a mezzo-soprano of remarkably sympathetic voice. In her selections from Grieg, she showed great power of adaptation--first, in "The Autumn Gale," full of action, but with the dreariness of the Norwegian minor; then in Eet Syn, a short, vivacious snatch of song; and finally in Solweig's Cradle Song, deeper...