Word: mgm
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Dates: during 1950-1959
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TIME made rather unfortunate use of the adjective "heavyhanded" in applying it to MGM's portrayal of teen-age brutality in big-city schools. It might better have been applied to both Mrs. Luce's decision to boycott the film Blackboard Jungle, or TIME'S defense of her act. Rather than be shocked ai American school conditions, be they typical or not, Europeans must have wondered at a humorless Government always ready to trumpet its virtues but equally ready with a whitewash brush for its vices...
...Manhattan for her first trip outside Japan, was given such a whirl of interviews, screenings, photographic sessions, business appointments and kimono changes (she was equipped with ten sets) that she had little time even for window shopping. At week's end she left for Hollywood to discuss MGM's prize offer: that she play the role of Lotus Blossom opposite Marlon Brando in the film version of Broadway's Teahouse of the August Moon...
After that, the festival's sponsors chose to drop Blackboard from the program. But MGM's Dore Schary raged: "What Ambassador Luce has done represents flagrant political censorship." Italy's Communists, of course, agreed, and, in the ensuing verbal brouhaha, sight was lost of the fact that no censorship had been imposed by either the Italian or U.S. governments. All that had happened was that Europeans had been informed that not all Americans are content to receive their mail addressed to "Tobacco Road...
...returning would be to write the Sinatra story. Meanwhile, Correspondent Ezra Goodman scoured Hollywood, pursuing Sinatra himself. The West Coast chase led Goodman from Sinatra's luxurious duplex on Wilshire Boulevard through recording studios and an Italian restaurant to the singer-actor's sumptuous dressing room at MGM...
They underestimated Angles. Frankie loosened his ties to MGM. "Then," says he, "I started all over again with a clean slate." He changed his agent, from M.C.A. to William Morris; he changed his record company, from Columbia to Capitol. His voice came back, better than ever; record sales began to climb. He started to freelance in TV on a larger scale, and to look around for roles he really liked in the movies. Along came Eternity. "That's me!" said Frank Sinatra when he read about the roistering, ill-starred little Italian named Maggio. He wanted the part...