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Word: mgm (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Dead Jockey (MGM) offers a transposed version (from Paris to Madrid) of Irwin Shaw's story about an ex-Air Force pilot grown wary of the troubled air. As an operational major in Korea, Robert Taylor sent many a comrade off to flaming death; in his rationalized pretense that his lost pals were never even born, he has somehow come to believe that his own life is pointless and worthless. He is not exactly a coward, but he has lost all willingness to risk his guts in the air. With a lucrative smuggling job as its pivot, the scenario...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 12, 1957 | 8/12/1957 | See Source »

...Little Hut (MGM...

Author: /time Magazine | Title: Cinema: Box Office | 7/15/1957 | See Source »

...Fire (MGM) smolders intermittently, which is in itself surprising because the plot could set soap opera back at least ten years. Bing Crosby might have cheered everybody by husking a tune or two, but instead he is up to his tonsils in a sticky broken-home situation that would challenge the sweet wisdom of Dorothy Dix. He just cannot forgive his ex-wife (Mary Fickett) for letting herself be seduced, then married by that smooth talker from the State Department (Richard Eastham). The brink is attained when Mary shows up to play tug of war with Bing for custody...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 8, 1957 | 7/8/1957 | See Source »

Even in Hollywood's Cloud-Cuckoo-Land, all falls are not prat. Last week doorknob-bald Cinemidol Yul Brynner looked more dashed than dashing after he tried some Cossack-style horsemanship for MGM's The Brothers Karamazov, swooped too low, fractured a vertebra. And Cinemactress Rita Hayworth kicked up her heels during the Pal Joey shooting, got sent to the showers with a gimpy tendon...

Author: /time Magazine | Title: People, Jul. 1, 1957 | 7/1/1957 | See Source »

...Happy Road (MGM) leads from a Swiss international school for children to gay Paree, and its steeplechase is a fairly pleasant mixture of the classic slapstick hide-and-go-seek elements of old-time Keystone comedies. The hiders, on the lam from teachers and texts, are two kids, ably though often too cutely played by Bobby Clark and Brigitte Fossey. (Pipes Bobby: "I don't think it's good for parents to be left alone too much!") The seekers are Bobby's widowed father (ProducerDirector Gene Kelly), a Paris-based U.S. businessman who sneers at the French...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 1, 1957 | 7/1/1957 | See Source »

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