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Word: mgm (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

ERROLL GARNER: THAT'S MY KICK (MGM). Pianist Garner's secret ingredient is gusto. It has long since earned him recognition from both pop and jazz fans, and on this record he demonstrates why. In addition to guitar, bongos, bass and drums, he is accompanied by a distinctively Garner rhythm device that the album cover aptly describes as the "swinging-grunt"-emphatic guttural sounds that express his exuberance at playing uptempo. The effect is to put fresh magic into his renditions of // Ain't Necessarily So, Autumn Leaves and More...

Author: /time Magazine | Title: Television: Mar. 29, 1968 | 3/29/1968 | See Source »

...Archive Director respectively, Greed is of more than routine interest to them: Erich von Stroheim made it in 1924 and his first edited version was eight hours long; making concessions to Metro-Goldwyn-Mayer, he re-edited the film, finally stopping at a four-hour cut. At that point MGM seized it, cut it to two hours and ten minutes, and the remaining six hours has been missing ever since...

Author: By Tim Hunter, | Title: The Establishment of a Film Archive: Search for the Lost Films | 3/26/1968 | See Source »

...Fistful to $250,000 for Ugly. He is riding even taller in the saddle now, as Hollywood studios seem to have decided that he is just right to play the kind of strong, silent, outdoor roles that once went to Gary Cooper. His next epic is MGM's Where Eagles Dare, in which he co-stars with Richard Burton and plays an officer of the U.S. Rangers (unshaven and slit-eyed, of course) fighting Nazis in the Alps. That film will make him $500,000 or so. After that, he will take home $600,000 from Alan Jay Lerner...

Author: /time Magazine | Title: Cinema: The Good, the Bad & the Ugly | 2/9/1968 | See Source »

...MGM-Hearst "News of the Day" distributed its final reels in November, and Universal News planned to call it "The End" the day after Christmas...

Author: /time Magazine | Title: Newscasting: A Change of Screens | 12/29/1967 | See Source »

Welcome to MGM. Because of Hollywood's international outlook, Britain's Joseph Janni, producer of Darling, now looks there rather than to England. "If I go to J. Arthur Rank with a film idea, they consider me a nuisance," he claims. "If I go to MGM, I am welcomed." France's Claude Lelouch (A Man and a Woman) has been signed to a multipicture contract at United Artists, as has Polanski at Paramount. The Iron Curtain countries are a continuing source of new talent, and Hollywood studios have dangled fat contracts before Czechoslovakia's Jan Radar...

Author: /time Magazine | Title: Hollywood: The Shock of Freedom in Films | 12/8/1967 | See Source »

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