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...David Thomson, that most gifted of biographical sketch artists, refers to "her petite, sore-throated charm." To my ear, Allyson was a crooner, her voice a salve to her male co-stars' belligerence, grudges or indecision. Those nectarine vocals suited her sweet looks, and the roles assigned her by MGM, when that studio was still America's arbiter of middle-class propriety...

Author: /time Magazine | Title: In Defense of June Allyson | 7/11/2006 | See Source »

...this Oscar winner introduced the mass audience to the marriage of serious dance (Jerome Robbins') and serious music (Leonard Bernstein's). The way to see it, if not on the big screen, is in this two-disc MGM set that includes reminiscences of those baby Jets and Sharks, now in their...

Author: /time Magazine | Title: 7 DVDs Show How Divine and Dramatic Dance Can Be | 7/5/2006 | See Source »

...would buy boardwalk-adjacent property and look for a partner to build a casino. Bally's and Caesars are about to announce expansion plans. Trump Entertainment Resorts, recently out of bankruptcy, is seeing salvation in building more rooms and converting its pier into a retail-and-entertainment complex. And MGM Mirage, which owns land next door to the Borgata, is advancing its timetable for building a massive complex of rooms, condos and retail. "It's no longer a question of if," MGM Mirage CEO Terry Lanni said recently. "It's a question of when...

Author: /time Magazine | Title: Vegas East | 7/2/2006 | See Source »

DIED. Robert Sterling, 88, hunky actor in low-profile 1940s MGM movies who shot to national fame as a ghost, below, with co-stars Anne Jeffreys, his off- and onscreen wife, and Leo G. Carroll, on the hugely popular 1950s TV sitcom Topper; in Brentwood, Calif. Sterling played George Kerby, who, with wife Marion, dies in a skiing accident, then returns to his former home where the spectral couple end up coaching new occupant Cosmo Topper--a cranky banker and the only person who can see the Kerbys--on how to enjoy life...

Author: /time Magazine | Title: Milestones Jun. 12, 2006 | 6/4/2006 | See Source »

...Encores! production, staged by John Rando (who directed the wonderful 1998 revival of the Kaufman-Gershwin Strike Up the Band), makes Kaufman's old whine bubble like new wine. Pristinely faithful to the original, down to a film clip of the MGM lion, crowing instead of roaring, the show has a brisk, canny bounce matched only by ... well, by The Drowsy Chaperone. Rando festoons John Lee Beatty's balconied set with streamers, packs the stage with sight gags and sex appeal - 10 gals in bathing suits, courted by boys with press cards in their hat bands. The cast and orchestra...

Author: /time Magazine | Title: Old Musicals Like New | 5/12/2006 | See Source »

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