Word: mia
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Dates: during 2000-2009
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...favor by giving the film industry its favorite present: a record-breaking frame at the box office. According to early studio estimates, North Americans spent some $263 million at theaters this Christmas weekend, obliterating the $254 million mark set in July 2008, when The Dark Knight and Mamma Mia! both opened. And what did the multiplex crowds want on the first days of Christmas? Sing along: foreplay from Meryl, three sassy rodents, two blue Pandorans and a sleuth with a killer right hook. (See TIME's 2009 holiday movie preview...
...Grease” concerns itself with the familiar romance between Danny and Sandy, two students who must deal with their clashing personalities among the other tribulations of attending high school in the 1950s. Though the story is famous, director Mia P. Walker ’10, who is also a Crimson arts writer, claims in the program, “This is our Grease.” Although only a few liberties are taken with the content of the play, Walker is right; what this interpretation lacks in originality it more than makes up for in talent and ambition...
Directed by Mia P. Walker...
...aesthetic vision of director Mia P. Walker ’10 reflects this edginess with a combination of junkyard, diner, and car elements. “‘Grease’ has all the elements there,” she says. “It has sex, it has pregnancy, it has rock ‘n’ roll, it has rebellion, and it has insecurity. But it’s disguised in a sort of happy-go-lucky nifty fifties, toothbrush, Colgate, Coca-Cola guise. It’s the perfect show to rip apart...
...next “Mamma Mia!,” only less Swedish and more sparkly. A jukebox musical inspired by Lady Gaga’s oeuvre would have audiences dancing in the aisles—and leaving the theater completely horrified. A three minute Lady Gaga award show performance alone is enough to inspire shock and awe. Imagine two hours of fake blood, bizarre costumes, and over-the-top stunts. Even Boy George’s “Taboo” would look tame by comparison...