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Word: michael (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...York, the principal staff group assigned to the story-Senior Editor Michael Demarest, Writer Ronald Kriss and Researcher Harriet Heck-worked in an isolated, unmarked suite of offices on the 40th floor of the Time & Life Building, while some other non-TIME tenants near by wondered what mysterious strangers were doing there when everyone else on the floor was on the way home for the evening. For Mike Demarest, it was the third Man of the Year project in a row, since he handled the stories on General William Westmoreland (Jan. 7, 1966) and the Twenty-five and Under generation...

Author: /time Magazine | Title: A Letter From The Publisher: Jan. 5, 1968 | 1/5/1968 | See Source »

...Much Sun. Then there was a stream-of-consciousness interview with Actor Michael Pollard, who made it plain that he is no different off-camera from the engagingly befuddled garage attendant he plays in Bonnie and Clyde. He left Los Angeles, he said, because "I just didn't like the sun shining all the time." As for his looks, "Man when I got into show business you know everybody started saying, 'You've got a beautiful face. Beautiful face.' So uh then hey I looked in the mirror and I said, 'Hey yeah. They...

Author: /time Magazine | Title: Magazines: Grownups in Hippieland | 1/5/1968 | See Source »

...MICHAEL J. BUCKLEY Sydney...

Author: /time Magazine | Title: Letters: Dec. 29, 1967 | 12/29/1967 | See Source »

...Domain. Few men understand the problems and profit of this kind of U.S. manifest destiny better than the short (5 ft. 8 in.), bald, square-jawed chairman and chief executive of the world's biggest oil company, Standard Oil of New Jersey.*He is 63-year-old Michael Lawrence Haider (rhymes with strider), and he views the world from a 29th-floor office in midtown Manhattan's RCA Building...

Author: /time Magazine | Title: Industry: The Long-Term View From the 29th Floor | 12/29/1967 | See Source »

...startling enough that the world premiere of a new Tennessee Williams play should take place in the relative ob scurity of a London experimental the ater. It was even more surprising that Michael Redgrave and Alec Guinness should both have rejected the proffered male lead. Unusual also was the fact that critics were barred from attending the first two weeks of a limited Siweek run. Most of the reviewers, moreover, were nonplused by a play that lacked the familiar shape and sound of a Williams drama. "Seldom, even in the half-light of the theater, have I seen an audience...

Author: /time Magazine | Title: The London Stage: A Streetcar Named Despair | 12/22/1967 | See Source »

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