Word: michael
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
Nisha S. Agarwal '00, Aaron M. Einbond '00, Michael N. Jacobsohn '00, Bryan W. Leach '00, Anne-Marie Oreskovich '99, Sujit M. Raman '00 and David A. Roddenberry '00 will spend the next two to three years studying at universities throughout Great Britain...
...bigotry remains an accepted prejudice in much of the U.S. military. So when rumors began to float around that someone in the unit might be gay, a sergeant--in violation of "Don't ask, don't tell"--launched his own informal probe. Fisher had gone to the platoon sergeant, Michael Kleifgen, and said he had dropped a soldier in their unit off at the Connection. He didn't name Winchell, but he specified the date. Kleifgen thumbed through Delta Company's roster and asked soldiers where they had been that night. The sergeant concluded that Winchell had been Fisher...
...celebrators retailed the clever mots that have diminished Coward's reputation to something like that of, say, Fran Lebowitz's, instead of revealing him as the theatrical and musical prodigy he was. Happily, though, the evening was primarily an opportunity for the aristocracy of the cabaret world--led by Michael Feinstein, Barbara Cook and Andrea Marcovicci--to sing the luminous songs on which Coward's legacy should most comfortably settle...
...bloated in the next. That's the case with The Green Mile, reverently taken from King's serialized novel. It's 1935, and we're on a Southern prison's death row, where the only recreation is watching a mouse commandeer the corridor. Enter a new inmate, John Coffey (Michael Clarke Duncan), a giant black man with a gift of preternatural empathy; he can literally suck the pain out of people. Paul Edgecomb (Tom Hanks), the chief guard of E Block, is in awe of this white magic. He benefits from it, uses it to help a friend and, eventually...
...Irving's rural sprawl of a novel becomes, in his screenplay, a small epic with subtle strengths. The setting is harsh--a Maine orphanage in the early '40s, with war and sexual abuse looming--but the mood is warm and precise, as a flinty, laudanum-addicted doctor (the excellent Michael Caine) tutors his brightest charge (Tobey Maguire, the most watchful of young actors) to be his protege. Hallstrom, here as in My Life as a Dog and What's Eating Gilbert Grape, lets the characters carry the story without allowing the actors to push too hard. This is a film...