Word: michael
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German photographer Michael Wolf is perhaps best known for his preoccupation with scale. With a cool, methodical, formalist vision in the vein of compatriots and fellow imagemakers Andreas Gursky and Candida Höfer, he has, in his most widely recognized photographs, depicted what he calls the "architecture of density" in Hong Kong, the city he has called home for the past 14 years. Some of this work formed part of his excellent 2005 book Hong Kong: Front Door/Back Door, which focused on the surreal traces of city dwellers in eerily depopulated urban frames. It is a subject to which...
...operations has resulted in millions of acres of grassland being abandoned or converted - along with vast swaths of forest - into profitable cropland for livestock feed. "Much of the carbon footprint of beef comes from growing grain to feed the animals, which requires fossil-fuel-based fertilizers, pesticides, transportation," says Michael Pollan, author of The Omnivore's Dilemma. "Grass-fed beef has a much lighter carbon footprint." Indeed, although grass-fed cattle may produce more methane than conventional ones (high-fiber plants are harder to digest than cereals, as anyone who has felt the gastric effects of eating broccoli or cabbage...
...More than anything, they say, we need to rigorously study the financial decisions of alumni of programs like Ariel and Aflatoun and compare them with those of peers who didn't get the same sort of education. "Until you have experimental evidence, it's all a little speculative," says Michael Sherraden, a professor at Washington University in St. Louis who is conducting a seven-year, randomized, controlled study on whether giving children bank accounts inculcates the habit of saving - a program already being tried on a large scale in the U.K. Yes, good, solid research like this takes...
Movies have envisioned the post-apocalypse so often, from the Mad Max films to the current Daybreakers (directed by another set of twins, Peter and Michael Spierig) and The Road, that by now the future can seem passé. But the Detroit-born Hughes brothers have the bona fides to put dreadful war zones on the screen. When they were just 20, they made Menace II Society, a scalding view of gang-plagued Los Angeles. Their next film, Dead Presidents, depicted the scars of Vietnam on a returning vet. After the documentary American Pimp, they sent Johnny Depp in pursuit...
Soon Simmons had caught the eyes of virtually every top filmmaker in Britain. After her turn in Great Expectations, Olivier tangled with Michael Powell and Emeric Pressburger over who would win her services, either as a Himalayan dancing girl in Powell and Pressburger's Black Narcissus (1947) or as Ophelia in Hamlet (1948). The directors finally agreed to rearrange their schedules so Simmons could appear in both films. In Black Narcissus she donned brownface to play the Himalayan girl Kanchi, who performs a wild native dance (it's mostly just running) and gets whipped for her insolence. Simmons's blond...