Word: michaels
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Dates: during 1940-1949
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Three groundskeepers. Thomas J. Sullivan, Michael J. Holly, and Michael Dwyer (shown from left to right above), who between them have put in over a century and a half of work on local athletic fields, received silver cigarette lighters from HAA director Bill Bingham, and humidors and pipes from their fellow employees at the dinner...
Most of the cast of "The Road to Rome" has had Broadway experience and three were no glaring evidences of amateurism. Robert Harris as Fabius Maximus was very comical in the role of the frightened politician-turned-dictator. Huge Franklin as Hannibal and Michael Sivy as his younger brother gave assured, first-rate performances. As the character with Mr. Sherwood's best comedy lines and all of his thoughtful ones, Polly Rowles, the Roman wife, acted with such vagueness and ennui that many of her lines just seemed to curl up on the stage floor and die, lacking vitality...
...quivering nostrils, tossed locks-and tantrumacious bad manners-that cinemaddicts have learned to recognize as signs of artistic genius. The Red Shoes is such a spotty piece of movie craftsmanship that it is hard to believe that it is a major effort by Britain's crack moviemaking team, Michael Powell and Emeric Pressburger (Colonel Blimp, I Know Where I'm Going...
...theater, there are six plays currently on the Boston stage. Some, like the Tributary Theater's production of Anna Christie at New England Mutual Hall, are revivals. Some, like Finian's Rainbow and Harvey, are returning to Boston after long runs on Broadway. And others, such as Michael Todd's new production As the Girls Go, Moss Hart's Light Up the Sky, or Josephine Hull and Eddie Dowling's Minnle and Mr. Williams, are on their first trial runs here before hitting the big time...
...show has its very real assets: Nanette Fabray who, without losing one whit of her looks, keeps gaining in versatility and charm; and Ray Middleton, who has both voice and personality. It has some admirably lively and stylish Michael Kidd dances. It has one of Kurt Weill's most attractive scores, ranging from satiric little ditties like Progress to the full-throated tunefulness of Green-Up Time...