Word: michaels
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Dates: during 1950-1959
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Recently, our photographers followed Josephy's script and his well-blazed trail through the Southwest and brought back the transparencies for Art Director Michael J. Phillips to lay out for this week's color spread on the American Desert...
...highly colored, overwhimsical film version suffers because Director Michael Curtiz seems unable to decide whether he is reading from a fairy tale or a police blotter. Sometimes the archness is laid on with a trowel, sometimes the trifling action stops dead for overdetailed explanations. Bogart plays his role pretty straight; Aldo Ray is disconcertingly elfin for an alleged sex fiend; and Ustinov's mugging seems overdone. Basil Rathbone and John Baer wander onscreen long enough to look properly villainous. Joan Bennett and Gloria Talbott add their pretty confusions to the artificial turmoil. Technicolor gives the picture a fairly handsome...
...Philip Washburs prize in History has been awarded to Michael O. finkelstein '55 for his thesis entitled "Tariff Reform and Chinese Labor as Issues of the General Election...
...Philip Washburn prize in History has been awarded to Michael O. Finkelstein '55 for his thesis entitled "Tariff Reform and Chinese Labor as issues of the General Election...
...despite the camera tricks, engulfing shadows, dizzying vistas of colonnades and architectural arabesques, the film moves forward with a pulse-quickening stir and bustle. As the jealous Moor, Welles captures the falcon-look of a Kabyle from the Atlas Mountains; Michael McLiammoir plays a foul-fiend of an lago with reptilian intensity; and Suzanne Clothier as Desdemona, though not quite entrancing enough to "sing the savageness out of a bear," wins compassion as she is bewilderingly overwhelmed by her mate and fate...