Word: michelangelo
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Dates: during 1930-1939
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...first time, Chicago will see sculpture of Michelangelo in the original (a bas-relief Madonna and Child), Botticelli's The Birth of Venus, Mantegna's St. George, Raphael's Madonna and the Chair. Despite official denials, it is fairly obvious that Italy's masterpieces will tour the U. S. until World War II blows over. In explaining why the show was given to Chicago rather than New York City, suave Prince Colonna observed that the latter was "too near...
...Century used to make a point of it in such dissertations as On the Beauty of the Louse. Flemish painters, whose art was an outgrowth of manuscript illumination, showed the same reverence for the minuscule, became Europe's most meticulous realists. "All this is very popular," snorted Florentine Michelangelo. "The least artistic inteligence can find therein something that appeals to it ... but it lacks rhythm and proportion. . . ." The artist who most nearly united Flemish delicacy and Italian power of composition was Hans Memling, who lived in Bruges in the second half of the 15th Century...
...called "the most absorbing problem of classic art." To do the subject justice an exhibition would have to include several items not visible at Knoedler's. Among them: 1) a nude by Giorgione, Titian's great Venetian contemporary; 2) an example of the mighty figure painting of Michelangelo; 3) one of Rubens' rubicund exaltations of Flemish flesh; 4) more significant examples of choice modern work, both in the old tradition...
Over the back bar in the saloon run by Antonio Michelangelo Leonardo da Vinci Galento in Orange, N. J. there hangs a sign saying: JOE LOUIS IS A BUM. Two-ton Tony Galento-a lumpy, hog-fat heavyweight who won a sort of succès d'estime last year by bowling over fever-racked Nathan Mann faster than Joe Louis did-has been snarling defiance at Louis ever since scheming Fight Manager Joe Jacobs took him over three years ago. For the seven years before that, Tony Galento, who trains on beer and does his road work...
...work of William Blake. At its best, Blake's line drawing has the airy movement and harmony of a string quartet. This is not all it has. On a few square inches of white paper Blake could and did put forms comparable in grandeur to the frescoes of Michelangelo. Few if any exhibitions this season had more artistic interest than a comprehensive show of Blake which opened last week at the Philadelphia Museum...