Word: michelangelo
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Dates: during 1970-1979
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...Hoffman, explaining his relaxed ways at the Cannes Film Festival. Hoffman, a contender for the festival's Best Actor award for his performance in Lenny, had the look of a winner as he held court with his wife Anne. Despite his swimming schedule, the actor met with Directors Michelangelo Antonioni, Constantin Costa-Gavras and Francois Truffaut. "It's been nice not just shaking hands with them but getting together around a table and talking cinema," he said later. Hoffman, however, declined to reveal any plans to work with one of the three directors. When a reporter asked what...
...Metamorphoses of the Gods, and spends his rare moments of rest strolling through his elegant garden in Verrieres-le-Buisson with his two cats, named Fourrure (fur) and Essuie-plume (penwiper). Still French Polymath Andre Malraux, 73, took time out to visit the Louvre for a television tribute to Michelangelo in honor of the 500th anniversary of the artist's birth. "Michelangelo invented the hero type. It had not existed before him, and he certainly did not discover it in antiquity, where it does not exist either, despite a well-anchored presumption," said the former Minister of Culture under...
Twenty minutes of Michelangelo Antonioni's The Passenger (TIME, April 14) were deleted before its American release. Currently, a new work by Marcel Ophuls is being re-edited and thoroughly reworked. The Memory of Justice, a meticulous and moving examination of the Nuremberg war trials, was made with the same stringent conscience and intellect that characterized The Sorrow and the Pity, Ophuls' monumental study of France during the Resistance. The Memory of Justice is an equally important film. Now it is being hacked by its producers into a routine documentary...
MANY NASTY THINGS have been written about Michelangelo Antonioni since his L'Avventura grabbed a legion of intellectuals and turned them into cultists in the early '60s--the backlash that follows movie cults is inevitably louder, bitchier and more memorable than the initial shockwave that turns a movie into a classic. For years, these two warning camps have made a lot of noise about Antonioni knowing that moviegoers themselves seldom rely on their own judgment but rather trust the deductions of those who are in a position to release periodic edicts...
Directed by MICHELANGELO ANTONIONI Screenplay by MARK PEPLOE, PETER WOLLEN and MICHELANGELO ANTONIONI