Word: michelangelo
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Dates: during 2000-2009
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...poster this year is a shot of a blond woman, seen from the back in a spaghetti-strapped black dress, peering out at the sea. It could be the Mediterranean, the backdrop to the Grand Palais. But it's actually a remote Italian island; for the photo is from Michelangelo Antonioni's L'Avventura, a sensation when it showed at the 1960 Cannes fest - sensational because it was greeted with both acclaim and perplexed hostility. In Antonioni's modernist adventure, the central mystery of a missing girl was never solved. We hope that all the enigmas of Cannes 2009 will...
...obligatory Matthew McConaughey scene - as crucial to his fans as a Miley Cyrus song or a Seth Rogen penis joke is to theirs - is the ritual removing of his shirt, to reveal a torso that could have been sculpted, or certainly caressed, by Michelangelo. The gesture is not so much an act of narcissism as a votive offering to his core constituency. A showman as much as an actor, McConaughey is ready to give the people what they want; and abs make their hearts grow fonder. (TIME Ponders: The Making of Matthew...
Francis Bacon did for despair what Michelangelo did for faith. He made it majestic. That's the conclusion you can't help taking away from the Bacon retrospective that opened May 20 at the Metropolitan Museum of Art in New York City. I caught the show last year at its first venue, London's Tate Britain, and left it convinced that it was one of the most powerful exhibitions I'd seen in more than 40 years of museumgoing...
...have its own Super Bowl - a good thing, that - but it never lacks for head-to-head competitions. Picasso and Matisse played show-me-what-you-got for decades, continually rolling out works meant to show up the other guy. Leonardo, Michelangelo and Raphael all kept a cool eye on each other. And there's a brisk little chapter in the history of Abstract Expressionism that could fairly be called De Kooning vs. Pollock...
...centuries, Gianni Giansanti broke big into photojournalism by capturing one of the most indelible and traumatic images in modern Italian history. On May 9, 1978, Giansanti, then 21 and working for the Sygma photo agency, rushed to the scene in the center of historic Rome, on the Via Michelangelo Caetani, when the body of Aldo Moro was found in the trunk of a Renault, looking as if he were asleep but the victim of a cruel murder. The five time premier of Italy had been kidnapped by the radicals of the Red Brigade and, after 54 days in captivity, executed...