Word: michelangelo
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Dates: during 2010-2019
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...first artwork to greet the visitors to "Blasphemous" is a grotesque variation on Michelangelo's Pieta, with the Virgin Mary transformed into a malicious giant rat. Next is a multimedia piece called Resur-erection that references the Irish Catholic sex-abuse scandals of recent months and features stop-motion priests and bishops in suspicious scenarios. Another exhibit simply and bluntly declares "F___ Christmas" in baubles and fairy lights. The reaction of gallery-goers on opening day ranged from bemusement to gratitude that at least one venue in Dublin's capital was serving alcohol on the most abstinent of Irish religious...
...define our faith not via hoary doctrine but via our own reason, which is how Catholicism is supposed to be practiced anyway. (Yes, despite the Vatican's warnings, it's safe to try theology at home!) Because Catholicism so richly contemplates Jesus' human as well as divine nature - Michelangelo didn't sculpt the Pieta in a theological vacuum - real Catholicism promotes human reason as a door to moral understanding and spiritual redemption. The Church can be a valuable guide to that understanding, one that jerks like me can benefit from. But it's not the arbiter of that understanding...
...Renoir, a turning point came during his honeymoon to Rome and Naples in 1881. Face to face with the firm outlines of Raphael and the musculature of Michelangelo, he lost faith in his flickering sunbeams. He returned to France determined to find his way to lucid, distinct forms in an art that reached for the eternal, not the momentary. By the later years of that decade, Renoir had lost his taste for the modern world anyway. As for modern women, in 1888 he could write, "I consider that women who are authors, lawyers and politicians are monsters." ("The woman...
...great minds threw themselves into different fields in the pursuit of truth and beauty. "Something new was happening then, where if the wife of the emperor was ugly, she was depicted as ugly. This was no Photoshop," says Dolza, an expert in Renaissance-era technology. "These painters, Leonardo and Michelangelo, studied anatomy and illnesses. They loved to represent humans with all their faults." (Read "How a 'New' da Vinci Was Discovered...
...young nobleman in Sandro Botticelli's Portrait of a Young Man, which is displayed at the National Gallery in Washington, indicates that the subject suffered from Marfan syndrome, a genetic disorder of the connective tissue. The professor even performed a checkup on the master of the masters, Michelangelo, who is depicted in the foreground of Raphael's The School of Athens with swollen knees, which Franco says were likely caused by kidney stones...