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VATICAN. The important thing here, of course, is the Pieta, Michelangelo's marble masterpiece of tenderness and compassion, poorly displayed. But not to be overlooked is The Good Shepherd, a magnificent early Roman sculpture in the chapel upstairs...

Author: /time Magazine | Title: The New York Fair: Aug. 14, 1964 | 8/14/1964 | See Source »

...museum "an important step in the history of the spirit" and concluded: "It was on a night like this that we heard the last blow of the hammer that completed the Parthenon. It was on a night like this that sounded the last blow of the hammer to Michelangelo's St. Peter's." -Yves Montand followed with some Parisian chansons, but he could not top that...

Author: /time Magazine | Title: Museums: A Place on the Riviera | 8/7/1964 | See Source »

Vatican Objections. In the deft sweep of his lines and the religious themes that dominate his work, Manzù is unmistakably an heir of Renaissance tradition. Yet his sculpture has not always pleased a church that takes pride in the Michelangelo who painted St. Peter's Sistine Chapel ceiling. In 1947 the Holy Office denounced as "obscene" a Manzù crucifixion scene that depicted a totally naked Christ. Last year, after viewing a plaster cast of the doors, Vatican representatives objected to four of the panels as too profane: Cain and Abel, death by hanging, death of a mother...

Author: /time Magazine | Title: Sculpture: Doors of Death | 7/24/1964 | See Source »

VATICAN. Some 78,000 people daily have been viewing the Pieta. That its monumental tenderness manages to penetrate the frigid atmosphere is a tribute to Michelangelo's genius. In the chapel upstairs is The Good Shepherd, a magnificent early Roman sculpture, also from the Vatican's vast collection...

Author: /time Magazine | Title: The New York Fair: Jul. 17, 1964 | 7/17/1964 | See Source »

...MICHELANGELO THE PAINTER by Valeria Mariani. 151 pages, 86 color plates. Kimberly Dormann. For properly patriotic Italians, 1964 is the 400th anniversary not of the birth of Shakespeare but of the death of Michelangelo. The resulting commemorative volume, casually displayed on anyone's espresso table, is guaranteed to take the prize this summer-though perhaps only for price ($125) and awkwardness (14 in. by 11 in. by 3 in., weighing 11 Ibs.). The text is learned, dull and clumsily translated. What almost justifies the outrageous price is the color plates, which display every surviving work that Michelangelo painted, including...

Author: /time Magazine | Title: Books: Big Ones, Out of Season | 6/26/1964 | See Source »

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