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Word: michelangelo (lookup in dictionary) (lookup stats)
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...tone. He writes with a simple eloquence that hides the labor of the file which must lurk in his carefully wrought phrases and comparisons. Perhaps his eloquence has the unhappy effect of making one think that the book communicates more than it does; to "explain" the Greeks, Michelangelo, Botticelli, Renoir, Picasso forces a certain glibness, even what seems like a comparatively limited aspect of art history. For if he enlarges the context of his critism perhaps too ambitiously, although on the surface and to the layman, the result is entirely happy...

Author: By Gerald E. Bunker, | Title: Clark's Analysis of Nude Balances Real and Ideal | 5/10/1957 | See Source »

...Gothic body, which suggested that it was normally clothed, gave it the impropriety of a secret." Ergo, a rebirth of interest in the human form as a subject of art in the Renaissance, although with a different view of man implicit in every muscle, for the Renaissance--especially the Michelangelo--nude was burdened with a soul...

Author: By Gerald E. Bunker, | Title: Clark's Analysis of Nude Balances Real and Ideal | 5/10/1957 | See Source »

...romantic idea of literature, a kind of filigree on a Golden Bowl. Mr. Eberhart's poetry, by way of contrast, arises from a feeling and attention for ordinary experience. His toying with insects in a country shack gives him the sensation of being a god and conjures up Michelangelo's gesture of the Lord giving the spark of life to Adam. Perhaps the result is not the greatest poetry ever written, but it is a genuine poetic attempt. Mr. Robert Lowell rightly introduced Eberhart as a man who by instinct sees poetically...

Author: By Lowell J. Rubin, | Title: Richard Eberhart's Reading | 4/22/1957 | See Source »

Behind the Met's show of 50 masterpieces, plus a one-quarter scale replica of Michelangelo's Sistine Chapel ceiling, was a unique illuminated color process worked out by LIFE Magazine. Color transparencies of the masterworks were blown up on strips of 40-in.-wide film to the exact dimensions of the originals, and framed by light boxes containing fluorescent tubes. The brighter-than-life effect was like listening to symphonic music on a hi-fi recording. It was an exciting, highlit visual experience...

Author: /time Magazine | Title: Art in Hi-Fi | 12/3/1956 | See Source »

...Among them: Raphael's Madonna of the Chair, Fra Angelico's Marriage of the Virgin, sculptures by Donatello, Cellini and Michelangelo, all from Florence's museums...

Author: /time Magazine | Title: Art: Florentine Tempest | 11/5/1956 | See Source »

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