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Word: michelangelo (lookup in dictionary) (lookup stats)
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...Flemish painting," Michelangelo is supposed to have jeered, "is to women's taste, especially the old and the very young, and for monks, nuns and all distinguished people who are not susceptible to true harmony. In Flanders they paint principally to render, deceptively, the outward appearance of things, and especially subjects which bring rapture or are irreproachable...

Author: /time Magazine | Title: Art: Sparkling Burgundy | 9/3/1951 | See Source »

Applied to such masterpieces as Hans Memling's painting of Bathsheba leaving her bath, Michelangelo's judgment is harsh and crude. Instead of mixing his colors, Memling laid them on pure and thin in overlapping glazes. As a result, the picture seems to glow from within. Its narrow space recedes dramatically to the tiny figure of King David peeping from his terrace. The severely angular composition contrasts artfully with Bathsheba's soft curves...

Author: /time Magazine | Title: Art: Sparkling Burgundy | 9/3/1951 | See Source »

Jesuit Father Hernandez Heras, organizer of the exhibit, picked up d'Ors' idea of universalism and sailed it back. Could he accept "the Herculean forms of a prizefighter that Michelangelo gave God in the Sistine Chapel...the fat Flemish women Rubens painted as Virgins?" Heras, who teaches at St. Xavier's College, Bombay, thought some of the Indian types were "nearer to the Judean type of Jesus and the Holy Family than our classic figures...

Author: /time Magazine | Title: Religion: How to Spell Universal | 7/30/1951 | See Source »

...Vatican's 450-year-old corps of Swiss Guards carry medieval halberds and wear red-yellow-and-blue uniforms designed by Michelangelo. But they suffer from the cost of living just as much as floorwalkers or bus drivers. Last week, in an open letter sent to Rome newspapers, guardsmen asked the Holy See for a pay raise...

Author: /time Magazine | Title: Religion: Labor Trouble | 7/23/1951 | See Source »

...more than half abstract, and Fazzini's bullying of the body into geometrical shapes can be hard to take. But Fazzini uses his freedom with figures to make them look alive from every angle. They seem to be in motion, often have the fiery spiral lift that Michelangelo, with infinitely greater subtlety, achieved. "The body in sculpture," Fazzini says, "is not something that breathes air as I breathe. It must live by itself, outside of physical death...

Author: /time Magazine | Title: Art: Roman with Range | 5/7/1951 | See Source »

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