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...would be hard to improve on Sir Kenneth Clark's account of Fuseli's ambition: he wanted "to render the most dramatic episodes of Shakespeare in the pictorial language of Michelangelo." Fuseli was not a painter when he went to England in 1764, but a young Zwinglian minister whose liberal ideas had driven him out of Zurich. His intransigence grew with time, ripening into the melancholy sarcasm that was one of his more noted traits. "He is everything in extremes-always an original," wrote Fuseli's close friend, the physiognomist Lavater. "His look is lightning, his word...

Author: /time Magazine | Title: Art: Painter Possessed | 3/3/1975 | See Source »

...Italy for thirty years under the Borgias they had warfare, terror, murder, bloodshed--they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, five hundred years of democracy and peace, and what did that produce...? The cuckoo clock. So long, Holly...

Author: By Paul K. Rowe, | Title: What The Butler Saw | 2/6/1975 | See Source »

...full detail. He invented a revolutionary system of doing it in one piece, designing special furnaces and bracing systems and winches for it, and even a way of casting it buried upside down in the marshy Milanese soil without cracking the mold. It becomes clear that Leonardo, despite Michelangelo's bitching about his ineptitude as a sculptor, knew exactly how to make the horse and was prevented from executing his plan only because, in the end, he had no bronze: it had all been requisitioned for cannon against the French...

Author: /time Magazine | Title: Art: Empirical Queen of the Sciences | 10/14/1974 | See Source »

...color notes that fill the Musée Moreau in Paris-for that dynamism that animated Moreau's romantic predecessors, Delacroix and Chassériau. Rather, it is a delight of surface. To fix it, Moreau resorted to what he called the "beauty of inertia." He noted of Michelangelo, whom he adored: "All these figures seem fixed in a gesture of ideal somnambulism; they are unconscious of the movements they make." Once immobilized, the figures in his allegorical paintings-Oedipus, Salome and the like-could then be loaded with accessories, encrusted with redundant decoration...

Author: /time Magazine | Title: Art: Gustave Moreau | 8/19/1974 | See Source »

...Nicholson's bottled-up energies would come out in a series of demon Ping Pong games with the crew. Says Rafelson: "He demolished everyone who dared to take him on." Nicholson is smart enough to know when to call off rivalries. He avoided Ping Pong competition with Michelangelo Antonioni, who directed him in the upcoming The Passenger, fearing shaky times if the filmmaker lost...

Author: /time Magazine | Title: The Star with the Killer Smile | 8/12/1974 | See Source »

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